A Louis XVI Style Corner Settee

A Louis XVI style Canapé, upholstered with Aubusson tapestry depicting a scene from Aesop’s Fables. French, circa 1880. The small town of Aubusson, on the River Creuse in France, had a long history of producing elaborate and costly tapestries. They were known for their elegance and delicate colouring and often depicted romantic pastoral scenes derived from artists such as Boucher; historic scenes, inspired by classical mythology; or more formalized architectural vistas. Aubusson was particularly noted for its finely balanced compositions of garlands and bouquets which became famous and sought after throughout Europe. Aesop was by tradition a labourer who was a contemporary of Croesus and Peisistratus in the mid-sixth century BC in Ancient Greece. The various collections that go under the rubric "Aesop's Fables" are still taught as moral lessons and for centuries have been influential subject matter for artistic endeavour. The Shepherd Boy and the Wolf: In a village was a young boy who had a job watching the village's sheep. Two times he called out, "Wolf! Wolf!" Each time the villagers came running to help the boy. And both times the boy just laughed at the villagers and called them names. But then the wolf really did come and start eating the sheep. The boy called, "Wolf! Wolf!" but the villagers just ignored his calls. They thought he was just trying to trick them again. The wolf took his time and had a huge meal of the entire flock of sheep. The Wolf in Sheep's Clothing: Once upon a time there was a wolf who decided to disguise himself so he could get some food without working too hard. He took a sheep's skin and hung it over his body. Then he went into the sheep pasture and pretended to graze with the sheep. He fooled everyone. Even the shepherd didn't realize she had a wolf grazing with her sheep. Soon the shepherd moved the sheep into the barn and the wolf went with them. The barn door was closed and locked and the wolf was just about ready to have a nice meal when the shepherd came back. She decided she wanted some food for her meal. She grabbed the wolf who was still disguised as a sheep and killed him for her meal. The Wolf and the Crane: One day a wolf had a bone stuck in his throat. He called to a crane and hired him for a large sum of money to put her head in his mouth and remove the bone. The crane did as she was hired to do and got the bone out and then asked to be paid. The wolf just grinned and said, "Ha! You've already been paid. I let you take your head safely out of my mouth when I could have crushed you with my powerful jaws”. The Wolf and a Mountain Goat: One day a wolf looked up and saw a mountain goat eating on a ledge high up on the side of a steep mountain. The wolf called out to the goat, "You should come down here to eat, you might fall if you stay up there. And the grass is very tender down here." But the mountain goat was too smart for the wolf and called back, "I don't think you are worried about my dinner. You are just looking for your own food!" The Wolf and the Lamb...

A Pair of Louis XVI Style giltwood and tapestry fauteuils. The tapestry 18th century and attributed to the Beauvais Manufactory. The frames are finely carved with guilloche bandin...

A fine Napoleon III Carved Giltwood Armchair In The Manner of Michel-Victor Cruchet. This fine fauteuil is richly carved with foliage, shells and 'C'-Scrolls and is upholstered 'a chasis' with floral Beauvais tapestry. The generous proportions, ornamentation and the modified Louis XV style of this grand fauteuil is in the manner of Michel Victor Cruchet who supplied related chairs to the Duke of Nemours for the Pavillon de Marsan in 1842. French, circa 1850. Michel-Victor Cruchet Michel-Victor Cruchet (1815-1899), was a celebrated sculptor, carver and ornamentalist. Working with the cabinet-makers Ringuet-Leprince, Thuiller and Maigret he was a supplier of the Garde-meuble providing many pieces of furniture to the households of both King Louis-Philippe and Emperor Napoleon III. Important commissions included audience seating for the Duke of Nemours at the Pavillon de Marsan, in a neo-Louis XV style; Gothic furniture for the Tuileries Palace for Princess...

A Louis XVI Style Giltwood and Aubusson Tapestry Five-Piece Salon Suite. This suite of seat furniture comprises four fauteuils or open armchairs of generous proportions and a canapé...

A 19th century French Louis XVI style giltwood settee with a floral cartouche at the top of the back, and circled in a carved ribbon motif, with fluted and tapered legs. The back and...

An elegant neoclassical Louis XVI period sofa or canapé, with down-stuffed separate seat cushion, two small tasseled pillows, painted frame, and tapered f...

This elegant 20th-century French sofa exemplifies the Louis XVI style, celebrated for its refined neoclassical design and timeless elegance. The piece features a carved wooden frame ...

This exquisite 19th-century French Louis XVI style sofa, circa 1860, exemplifies the elegance and sophistication of classic French design. Crafted from solid walnut, the frame is int...