Stunning Howard Style Velvet Striped Upholstered 2.5-Seat Grand Sofas

We are delighted to offer for sale this lovely vintage fully restored hand dyed brown leather Howard & Son’s style three seat sofa with overstuffed fea...

We are delighted to offer for sale this stunning exceptionally rare original Howard & Son’s sofas with the original ticking fabric This has to be the most comfortable sofa I have ever sat on, the back rest is fibre filled so its like a seat cushion for your back, the base cushions is a split panel feather filled cushion, so you have a fibre filled core with feathers on top...

We are delighted to offer for sale this very fine, fully restored Howard & Son’s Berners Street London, large Baring sofa upholstered with vintage brown le...

We are delighted to offer for sale very rare, original Victorian circa 1860 Howard & Son’s Chesterfield sofa with the original ticking fabric and long, ...

We are delighted to offer for sale this Gorgeous vintage brown leather hand-dyed Howards & Sons Style three seater sofa. Very good looking and timeless model sofa. The back cushi...

A stunning three seater leather and cherry wood framed contemporary sofa in the aviator style, of fabulous quality and with gorgeous patination and grain...

Kepler 22 Velvet 3 Seater Sofa by spHaus Designed by Filippo Dell'Orto Dimensions: D 90 x W 390 x H 73 cm. Materials: Powder-coated steel bars, elastic belts, polyurethane, natural f...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...