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Pair Of 18th Century Mahogany Sheraton Side Chairs
About the Item
A Superb Quality Late 18th Century, Georgian, Sheraton Period Pair Of Mahogany Side Chairs, Having Extremely Unusual And Very Attractive Vertical Ladder Backs With Fine Carved And Inlaid Decoration, Over Upholstered Stuffover Seats, Raised On Elegant Turned Tapering Legs With Inlaid Decoration.
This excellent quality pair of 18th century chairs absolutely scream sophistication, class and elegance. They are much better quality than 90% of similar looking pairs of chairs from this period and its clear that real thought and care has gone into both their design and the execution of their construction.
The inlaid decoration to the thin vertical ladders on the backs is a very unusual but welcome feature, as is the additional inlaid decoration which is found on the turned, tapering legs below.
They are absolutely perfect for many, many places around the home or office, far too many to list here in fact. But to mention just a few, we think they would be great in a bedroom, entrance hall or even on a landing. Its also worth bearing in mind that they are perectly functional as proper dining chairs.
As with all items which we offer for sale they have been inspected in our workshops by our highly skilled, trained antique furniture restorers, plus received a natural wax polish to ensure that they are ready for immediate placement within the home before being offered for sale.
Circa 1790.
Height 34.5in.
Width 21.25in.
Depth 20.5in.
Seat Height 18in.
SHIPPING
Please be aware, that I the seller of this item, am able to confirm that a restricted species, CITES, licence will not be required to ship this item cross border. That is due to the type and volume of wood species contained within the piece.
Therefore please ignore any automated warnings which the 1st dibs automated system displays on your screen whilst browsing, or trying to checkout your purchase. There is no licence, or permit of any kind required for shipping of this piece and therefore the original shipping and handling time stated on the items display listing is correct.
If you have any questions or concerns regarding the above then please don’t hesitate to get in touch and we will be happy to confirm for you in greater detail.
- Dimensions:Height: 34.5 in (87.63 cm)Width: 21.25 in (53.98 cm)Depth: 20.5 in (52.07 cm)Seat Height: 18 in (45.72 cm)
- Style:Sheraton (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:Circa 1790
- Condition:Wear consistent with age and use.
- Seller Location:Bedfordshire, GB
- Reference Number:Seller: 94321stDibs: LU955841524962
About the Seller
5.0
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Associations
LAPADA - The Association of Arts & Antiques DealersInternational Confederation of Art and Antique Dealers' AssociationsThe British Antique Dealers' Association
- ShippingRetrieving quote...Shipping from: Bedfordshire, United Kingdom
- Return Policy
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Condition:
In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation.
Dimensions in cm:
Height 96 x Width 47 x Depth 49 - Chairs
Dimensions in inches:
Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs
Thomas Sheraton
(1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design.
Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho.
Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion.
In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding.
Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates.
Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...
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