'Anfibio' Convertible Sofa Bed by Alessandro Becchi for Giovannetti 1970s Signed

This newly reupholstered loveseat sofa by Claudio Salocchi for Sormani, circa 1970s, features a graceful chrome frame with nubby white bouclé fabric. Signed with 1960s/ 1970s Sormani label as shown in photo gallery. *Note, we have the matching pair of club chairs available in another listing. The graceful frame shares a design quality with Cassina's LC2 / LC3 design by Le Corbusier, as they are 'buckets of cushions' in similar fashion and comfort. However this Sormani sofa features some unique subtle details, such as the slight "twist" in the rear legs (see photos). Signed with a Sormani label, this particular rare design is attributed to Claudio Salocchi. While there were several other famous designers who created works for Sormani in this time period, the style best matches Salocchi's work. For collectors looking for something unique and rare within a collection of 1960s/ 1970s Italian designs, this pair two-seater couch is an amazing opportunity. This Cassina LC2 / LC3 loveseat...

This gorgeously refinished Honduran Mahogany 'Taliesin' Collection headboard for a twin sized bed was designed by Frank Lloyd Wright for Heritage-Henredon in 1955 and produced only for two years, therefore is now a highly sought-after and rare collectors item. This example is signed with a Heritage Henredon stamp on the lower front bar. Frank Lloyd Wright stated that one of his goals for this line was for the 'design to make the home more efficient as well as more beautiful'. Woven into each piece of this series was the chamfered wood edge with an abstracted Greek key motif, the signature detail of every Taliesin design, covering the edges of each item in the collection. All of the pieces were executed in Honduran Mahogany, a high-end luxury wood choice. His idea was to design ‘infinite adaptability to American living’, for example desks could double as dressing tables, small tables could be used as a chair or stool and bookcases had moveable tops transforming into room dividers. Decoration was limited to the greek key edges so that ‘is of the piece, not on it’ and the removal of elimination of any hardware door or drawer pulls in favor of cut out flush pulls...