Florence 4 Sofa

A unique take on Chesterfield styles, the Kingman Sofa boasts a timeless capitonnè design. Resting on a solid open-pore ash base in a charcoal finish, the sofa has a deep seat and an...

The Labyrinth sofa combines old with new to bring a cosmopolitan touch to any contemporary living space. Boasting clean lines to create a geometric silhouette, this glamorous sofa...

This sofa is a versatile piece that exquisitely matches various pieces from the Daytona's collections. Boasting an elegant look, it comprises a matte black-lacquered steel structure ...

This sophisticated three-seat sofa is a stunning piece of functional decor that will add unique style to any living room. The frame in solid wood rests on a brass plinth base with a satin finish. The plush cushions of back and sides are in hypoallergenic polyurethane, while the seat is padded with goose feathers for extra softness...

Designed to inspire intimate get-togethers, the Siparia Sofa is curved on both ends to bring you in. Crafted on a solid wood base with a glossy finish, the sofa is upholstered in sof...

The clean, essential design of this sofa exudes subtle sophistication and a versatile profile. Resting on a satin brass base, the 3-seat structure is padded with multi-density rubber...

Florence Knoll 3-seat sofa. Nice original condition.

Florence Knoll midcentury walnut sofa. This sofa measures: 90.75 wide x 28.5 deep x 31.5 inches high, with a seat height of 15.5 and arm height of...

Florence Knoll Three-Seat Sofa reupholstered with Great Plains "Teddy" warm silver heavy boucle made of alpaca, and wool. Solid maple-turned tapered legs.

A midcentury Knoll classic designed by Florence Knoll. This three person sofa features tufted black leather upholstery with chrome plated steel legs. Measures: 90". Recently restored.

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th-century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...

Pristine Florence Knoll sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...