Florence Knoll Style Steelcase Sofa

A midcentury Knoll classic designed by Florence Knoll. This three person sofa features tufted black leather upholstery with chrome plated steel legs. Measures: 90". Recently restored.

The Campfire Big Lounge acts as a gathering spot in any space. Perfect for relaxing on with your laptop for a bit, or invite more people over to lounge, bringing people together and ...

Iconic Florence Knoll three-seat sofa in original berry fabric. Chrome legs. Chrome has been restored. Measures: 90 in.

William Andrus steelcase #465 soft seating sofa Classic early 1970s sofa designed by William C. Andrus for Steelcase Soft Seating Group. The cream ...

A mid century modern armless settee in the style of Florence Knoll. Chrome base with angled rear legs and tufted black vinyl upholstery.

Vintage maple frame Knoll sofa by Lewis Butler for Knoll. An arm-less sofa with walnut back legs, cotton web seats and back support. A great example of classic Knoll style and substa...

Florence Knoll 3-seat sofa. Nice original condition.

A classic mid-century tufted sofa by Florence Knoll Sofa for Knoll International c.1950s, USA. It can easily be floated in the center of a room as the b...

Florence Knoll Parallel Bar Armed Sofa. Newly reupholstered in a great weave fabric in shades of red, gray and purple. Very solid and subst...

Florence Knoll midcentury walnut sofa. This sofa measures: 90.75 wide x 28.5 deep x 31.5 inches high, with a seat height of 15.5 and arm height of...

Florence Knoll Three-Seat Sofa reupholstered with Great Plains "Teddy" warm silver heavy boucle made of alpaca, and wool. Solid maple-turned tapered legs.

Pristine Florence Knoll Sofa for Knoll International. Upholstered in gorgeous Sina Pearson fabric. Florence Knoll was a pioneering designer and entrepreneur who created the modern look and feel of America’s postwar corporate office with sleek furniture, artistic textiles and an uncluttered, free-flowing workplace environment. To connoisseurs of Modernism, the mid-20th-century designs of Florence Knoll, were — and still are — the essence of the genre’s clean, functional forms. Transcending design fads, they are still influential, still contemporary, still common in offices, homes and public spaces, still found in dealers’ showrooms and represented in museum collections. Ms. Knoll learned her art at the side of Modernist masters. She was a protégé of the German-American architect Ludwig Mies van der Rohe and Eliel Saarinen, the Finnish architect and teacher and the father of the architect Eero Saarinen. And she worked with the renowned Bauhaus architects Walter Gropius and Marcel Breuer. Throughout her career, influenced by the German Bauhaus school of design, she promoted the Modernist merger of architecture, art and utility in her furnishings and interiors, especially — although not exclusively — for offices. In the 1940s, she married and became a business partner of the German-born furniture maker Hans Knoll, and over 20 years she was instrumental in building Knoll Associates into the largest and most prestigious high-end design firm of its kind, with 35 showrooms in the United States and around the world. While her husband handled business affairs, Ms. Knoll was the design force of Knoll Associates. It grew to become the leading innovator of modern interiors and furnishings in the 1950s and ’60s, transforming the CBS, Seagram and Look magazine headquarters in Manhattan, the H. J. Heinz headquarters in Pittsburgh and properties across the United States, Europe, Asia and South America, including American embassies. Her “total design” favored open work spaces over private offices, and furniture grouped for informal discussions. It integrated lighting, vibrant colors, acoustical fabrics, chairs molded like tulip petals, sofas and desks with chrome legs...