Mahogany Set, Elisabeth II Style, Spain, 19th Century

Carved and polychrome wooden chair with cabriolet legs and openwork backrest which has been decorated with a symmetrical composition of Rococo influence in some details and Neoclassical in others. The Elizabethan style was developed in Spain during the reign of Isabel II (Elisabeth II...

Seats in walnut and embossed leather, 19th century. Set of six chairs and two matching armchairs, made of walnut and with seat and back in embossed leather (some leathers require res...

Armchair in carved walnut wood, gilded and in its color. 18th century, with current upholstery. Armchair with light cabriolet legs secured with H-shaped chambras, curved arms decora...

"Boat" bed in carved mahogany wood, 19th century. Head and feet of the same height, are decorated with a circular molding, while the rear, by harmony, follows the lines of the front...

19th Century Russian Neoclassical flame mahogany sofa Russia, 19th Century A fine example of 19th Century Russian Neoclassical furniture...

Set of 5 French Empire-style (19th century) mahogany salon or living room set with bronze trim and red damask upholstery. Measurements: 2 arms 27½" W 28" D 40½" H 2 sides 22½...

Mid-18th Century hand-carved 1750 Venetian Baroque walnut sofa, three-seat with armrests. Remarkable work by Venetian cabinetmakers. The 18th C...

Austrian Biedermeier-period sofa crafted of mahogany veneer, upholstered in beige fabric with geometric motifs. This refined piece of furniture has rolled armrests decorated with twisted patterns and medallions, and large backrest highlighted with scrolls and palmette. The sofa rests on four square fluted legs. The Biedermeier period began in the states of the German Confederation and in the Austrian Empire in 1815 (Congress of Vienna) and ended in 1848 (March Revolution). The Biedermeier style referred mainly to the decorative arts, but also included sculpture and painting. In contrast to the opulence and heroism of Napoleon's Empire, the Biedermeier style promoted calm and simplicity. From 1830 onwards, it embodied a new, comfortable, bourgeois way of life. In furnishing, the emphasis was placed on the structure of the furniture that had robust and geometrical forms, softened by curves. The simplicity of the materials, mainly light woods, was compensated by the variety and exuberance of the forms the backrests of the seats were carved in fan shape, the armrests of the sofas rolled...