William Haines Biscuit-Tufted Recaimer from the Deutsch Estate

This collection presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Williams in 1933 was given the Haines touch when his...

This collection, purchased directly from the heirs of the estate presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Williams in 1933 was given the Haines touch when his clients a young family of five...

This collection, purchased directly from the heirs of the estate presents a rare opportunity to own a piece of Los Angeles design history. The house, originally designed by Paul Wil...

Offered here a pair of swiveling tub chairs, sitting on a stylized Chinoiserie base. The bases are painted black. The chairs have been newly upholstered in Romo/Zinc Ocelot - Midnight Blue Z516/03 . These chairs are seldom seen on the market, with a documented pair being offered in a Christies "Innovators of 20th Century Style Auction May 2001 lot 84 page 40...

Fabulous vintage Art Deco or Hollywood Regency sofa with a tufted back and concave pillowed arms. The sofa is in solid wonderful condition, but its original white damask fabric will ...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...

This handsome and refined Mid-Century Modern armchair- realized in the manner of William Haines- features a tapered high back and a tufted biscuit pattern seat and back in new oyster...

Original old chesterfield sofa, quilted seat and back strong leather. This unique sofa was bought in an antique shop around 1978, real leather with ori...