Daniel Pollock Organic Modern Carved Pine Wood Stool or Sculptural Object, 1995

John Dickinson Lacquered Y Table, ca 1970s This is a rare Y-table (model 118) in lacquered resin, designed by John Dickinson. This is a special table and would fit in a variety of d...

Pucci De Rossi for H Dolin Stuart Signed Battista Occasional Table, 1987 A delightful postmodern sculptural side table with an interlocking charcoal color metal base with glass top ...

Paul Frankl for Johnson Furniture Cork and Mahogany Corner Table, ca 1951 Unique large corner table that would be perfect with two larger mid-century sofas set in a L-shape arrangem...

Robert Kuo Monumental Limited Edition Cream Lacquer and Copper Liao Floor Vase, ca 2005. This is a beautiful and elegant floor vase that's sure to make a strong presence in any room, whether of a traditional, modern or contemporary design. Quality is the calling card of all Robert Kuo designs and meticulous attention to detail is seen throughout this piece. This is an heirloom quality piece for those with discriminating taste. Robert Kuo's own story presents a life that partakes of the best of Chinese and 20th century traditions. Born in Beijing, he moved with his family to Taiwan in 1947. Kuo grew up in an artistic environment. His father, an art professor and Chinese watercolor painter, started a cloisonne atelier where Robert became an apprentice at age fifteen. Although he never engaged in formal art studies, Kuo gained technical expertise and learned about decorative tradition from "hands on" training. As he mastered each of the steps involved in cloisonne from preparing copper bases to enameling and firing the kilns, Kuo absorbed all the basics that were to serve him throughout his artistic career. While pursuing his studies in Taipei, Kuo assisted his father in the creation of a cloisonne studio. A visit to the United States persuaded the young artist/entrepreneur that the American environment would benefit him, both personally and professionally. In 1973, he immigrated to the United States and opened a studio for cloisonne in Beverly Hills. Kuo cultivated a clientele that appreciated the way he "opened up" Chinese tradition. Utilizing the influences of Art Noueau and Art Deco, Kuo introduced new shapes, finishes, and objects to cloisonne It was during this time that the Smithsonian's Sackler Gallery acquired his "Goldfish Bowl", with its lively naturalism. In 1984, he erected the airy, contemporary building that is still home to Robert Kuo. Located directly across from the Pacific Design Center at Melrose Avenue and San Vicente Boulevard, the Kuo Gallery quickly became a favorite stop for designers seeking distinctive decorative objects for their clientele. By 1985, Kuo shifted his focus from working in cloisonne to repousse, the art of hammering decorative relief onto metal. Instead of applying enamel to a copper base, the artist began to experiment with applying different finishes to the hammered base. Kuo looked to China for artisans experienced in ancient techniques. He trained craftsmen to adapt their skills to repousse forms and objects. Today, he spends 4-6 months of the year in China to create new pieces, which are then finished in Los Angeles. Robert Kuo offers a wide variety of decorative objects, from small tabletop pieces to furniture and large landscaping elements. The work can be seen around the world, from the National History Museum in Taipei to exclusive hotels like the Singapore Ritz-Carlton, San Francisco's Hotel Palomar, Las Vegas MGM Grand Villas and New York Four Seasons. He is inspired by organic forms found in nature, as well as the timeless "motifs" of the Chinese Han and Ming dynasties - often combining them with Deco and Nouveau influences. Sophisticated design showrooms in the U.S. and Europe such as McGuire and Baker Furniture represent Robert Kuo accessories and lighting, while Gump in San Francisco sells special pieces and holds Kuo exhibitions twice a year. While most of his recent work has been in repousse, he has designed a new collection of cloisonne lighting...

A wonderfully sculptural chair with mix of wood textures and shades. A uniquely sculptural and versatile piece, this chair was crafted from a single block of suar wood and has a smoo...

A solid pine stool designed by Gilbert Marklund and produced by his own firm "Furusnickaren", Sweden, 1970s.

A wonderfully sculptural chair with mix of wood textures and shades. A uniquely sculptural and versatile piece, this chair was crafted from a single block of mango wood and has a smo...

Wavok Stool or Side Table in Hand Carved Japanese Cedar Wood for Hida For centuries, famed Hida artisans in Gifu prefecture have played a role in Japan's woodworking culture, crafti...