Rare aluminum and suede danish Stool and table set by Jørgen Høj

Beautiful and sleek set of 9 stackable stools designed by Toyoda Hiroyuki for ICF. Thick black leather covering a heavily chromed base. Wonderful details of stitched and laced leathe...

Mid century classic and iconic Bertoia for Knoll stools in a high chrome finish. Architectural design, clean original condition, ready to use. Very solid and sturdy showing no loss t...

Atelier Jean Prouvé designed for the Lycée Fabert, Metz. France, 1930s. Lacquered metal base and turned plywood seat. All have markings on the underside. These wonderful stools also ...

Wonderful hand made three legged stool with adjustable height ( 16.5-23'' ) Painted black wood legs with cast iron elements. The top has a newer leather top. Fits with Midcentury Modern and more...

Each square stool composed of rectilinear tubes fitted with leather strapwork supporting loose cushions; Jørgen Høj was originally trained as a metal worker and upholsterer at the Copenhagen School...

Set of 2 Stools & Side Table in Aluminium, Glass with Leather by Jørgen Højs, 1960's Additional Information: Material: Aluminium, glass and leather Style: Mid century, Scandinavian ...

Jorgen Hoj Pair of elegant and handsome Aluminum and leather Chairs. Hoj was a student of Poul Kjaerholm and the influence is clear. Beautifully made. This pair shows wear and tea...

Designed in 1952 by Jørgen Høj and Poul Kjærholm for Thorald Madsen Cabinetmakers, this easy chair in ash and flag halyard is a true modernist masterpiece. Removing everything that was not strictly necessary for its shape and function, the designers created a geometrical and transparent work, that is subdued, yet attention drawing at the same time. The work was presented at the Copenhagen Cabinetmakers' Guild Exhibition at the Designmuseum Danmark in 1952, the only time Kjærholm participated in this event. Although the design was daring for its time, it was welcomed as a breath of fresh air at the exhibition. As a reviewer wrote at the time:? "The most ‘progressive’ interior… was no doubt the one made by architects Jørgen Høj and Poul Kjærholm in collaboration with Thorald Madsen. {…} One has to admit that it provided a refreshing change from the pervading solemnity. It is the duty of all exhibitions...