Set of 2 Black Fingerprint Stools by Victor Hahner

Set of 2 blue fingerprint stools by Victor Hahner Each piece is unique, handmade by the designer and signed Dimensions: W 39,5x D 27 x H 49 cm Materials: Stained white ash Also...

Set of 2 Black Stained Oak DOM Stools by Marcos Zanuso Jr Materials: Low stool, structure, and seat in solid oak, natural varnished or black stained. Technique: Lacquered metal. Natu...

Set of 2 White Fingerprint stools by Victor Hahner Each piece is unique, handmade by the designer and signed Dimensions: W39,5x D27 x H 49 cm Materials: White ash Also Availabl...

Set of 2 Brutus stools by 101 Copenhagen. Designed by Kristian Sofus Hansen & Tommy Hyldahl Dimensions: L 60 / W 30 / H 54 cm. Materials: fiber concret...

Pair of stools or ottomans, lacquered steel, leatherette, Europe, 1970s A sleek pair of stools made in Europe in the 1970s. This midcentury modern design is a wonderful addition to ...

Butt is a vibrant, versatile stool that can be used indoors and outdoors thanks to its UV-stable plastic, which was originally developed for marine use. THE DESIGNER Estd by Establ...

Stools designed by Pierre Chapo in 1960s. Manufactured in France around 2019 Solid oakwood. Measures: small: 28 x 28 x 34 cm Tall: 31 x 31 x 45 cm In good original condition, with ...

Set of two stools with three legs entirely realized in black stained wood, designed in the style of Charlotte Perriand and manufactured in the 1950s. Charlotte Perriand (1903-1999) is one of the most important female furniture designers of the mid 20th century. As early as 1927 Perriand produced a number of critically acclaimed innovative pieces of metal furniture, which drew the attention of Le Corbusier and Pierre Jeanneret. The result was the beginning of a work relationship that lasted many years. At Le Corbusier’s studio Charlotte Perriand developed a series of tubular steel chairs, among them the famous adaptable chaise longue, which was produced by Thonet two years later. Perriand’s work continued to evolve and in the mid 1930s, she started to experiment with natural materials such as wood and cane. She traveled to Japan in 1940 as an official advisor on industrial design to the Ministry for Trade and Industry to advise the government on how to raise standards of design in order to develop products for export to the West. Perriand adapted local techniques of woodwork and weaving - straw, bamboo and twigs becoming her materials of choice. It was especially after World War II, when Charlotte Perriand developed a new concept for the way of living by increasingly integrating the human dimension into her productions. Through flexible use of materials she achieved recognition with her pure and powerful style – as exemplified in her free form massive wood table models. Conscious of economic and social realities, she decided to opted upon large-scale production, and finding a new synthesis between tradition and industry. “Always concerned with innovation rather than trying to affirm a formula for renovation”, she designed various housing developments such as the Unité d’Habitation in Marseilles, with Le Corbusier in 1949, as well as rooms at the International Students’ Residence in Paris in 1953. Included was a library built in...