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Witco Decor Tropical Tiki Glam Alligator Bench, Stool, Polychrome Sculpture 1958

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Joe Colombo for Zanotta Italia White & Cream Leather Swivel Stool, 1970
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Warren Platner 1705Y Easy Ottoman, Gray Leather and Nickel, Knoll, 1966
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Warren Platner 1705Y Easy Ottoman, Gray Leather and Nickel, Knoll, 1966 Custom gray leather (original); original nickel finish. Ottoman retains original clear acrylic feet. The maste...
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Tommi Parzinger Originals Modern Armchair and Ottoman, Club Chair, 1958
By Parzinger Originals, Tommi Parzinger
Located in Brooklyn, NY
Tommi Parzinger lounge chair and ottoman, ebonized frame, charcoal grey upholstery. Copy of the original purchased receipt included from Parzinger Originals Inc., dated January 15, 1958 Dimensions: 27" H x 28 1/2" W x 31" D and 15" H x 28" L x 16" Tommi Parzinger was born in Munich and received professional design training there at the school of art and craft, Kunstgewerbeschule. He began his career as a freelance designer of ceramics, wallpapers, lighting, textiles, furniture. He traveled and worked in Germany and Austria, becoming familiar with the modern movements of the day including the Wiener Werkstätte, the Jugendstijl, and the Bauhaus. As a professional designer in Germany he created porcelain for the German firm KPM, as well as posters, textiles, interiors and wallpapers. In 1932 he came to the United Stated as a prize for winning a poster contest for North German Lloyd...
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Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White
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Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...
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Mid-20th Century American Mid-Century Modern Photography

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