Argentine Apothecary Cabinets

Made of carved wood with transparent fences and scrollwork panels, two dragons at the front and pagoda roofs on top. A beautiful realization by the Chinese woodcarver and furniture m...

Midcentury English siphons in glass covered by a metal grid. It has the trademark engraved on the bottleneck.  

Ancient large lacquered and gilded bookcase, hand-carved with columns and rich gilded friezes, built entirely by hand in the middle of the 19th century for an important building in n...

France / 1920 / cabinet / wood, glass, fabric / Art Deco / Mid-century Timeless tall wooden wall mounted or standing cabinet with one glass door and underneath a hidden storage comp...

Add a splash of gritty presence into any space with this robust industrial metal cabinet, straight out of the machine age! Standing over 5 feet tall, this steel structure features a ...

A French vitrine cabinet with glass door and sides, in walnut with rosewood and tulipwood, top with a grey marble top. The ormolu mounts give the cabinet the Louis XV styling tha...

Loetz For Boudon And Klur Gilt Metal Monted Glass Vase. A highly sought after vase culminating the zenith of Loetz and the Art Nouveau design. Czech Republic Circa 1900 Rubin Ruby Papillon Decor Metal mount with indistinct impressed marks for Boudon and Klur Height: 10.5 Inches x 8 Inches wide x 5 Inches deep Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

This haberdashery cabinet was produced during the 1950s in Germany. It features 30 large drawers in beech with glass fronts and metal handles. It was originally used in a shop for be...

Loetz Pampas Glass And Metal Mounted Vase Czech Republic Circa 1900 Unmarked Height: 7.5 Inches, handle to handle 8.25 Inches Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

A Barbara Barry for Henredon wooden bow front vitrine cabinet from the late 20th century with oval motifs, glass doors and glass shelves. Designed by Barbara Barry for Henredon during the later years of the 20th century, this wooden cabinet features a thin curving cornice sitting above two bow-front glass doors, adorned with thin oval motifs and fitted with a single brass pull. These doors open to reveal four glass in wooden frames inner shelves offering convenient display opportunities. The ensemble is raised on four short tapered feet. The décor on the side shows great restraint as it is left bare and the back is simply planked. With its clean lines and modern design, this Barbary Barry for Henredon vintage vitrine...

A beautiful pair of French Art Deco period perfume glass bottles with etched design, gold gilt accent, and bronze tops, from luxury fashion Maison Carven, circa early-20th century, 1...

This 12-drawer pine apothecary was likely used as a shop counter or in a workshop through the late 1800's into the early 1900's. The layers of original paint reveal touches of white,...