Argentine Apothecary Cabinets

First-Aid Box, design by Marcantonio for Scapin Collezioni First-Aid Box is produced in limited edition of eight pieces. The external, exclusively inlaid with ramage pattern, is enriched with an iconic detail such as the blood drop...

This 1920 antique wall mounted display cabinet is a wonderful example of historic craftsmanship and aesthetic beauty. Painted in a beautiful blue color, it exudes a charming vintage ...

19th century oak coin cabinet, the moulded top above panelled body, the two front doors opening to reveal fitted interior of twenty two lined drawers terminating on platform base.

A Belgian mid-19th century, red painted store display cabinet. A large and imposing antique Canadian pine display cabinet vitrine, woodcarving in...

A Swedish Rococo style painted wood vitrine from the 19th century, with bonnet top and glass doors. Born in Sweden during the 19th century, this exquisite vitrine features a bonnet-t...

Rare and Fabulous oak 20 drawer apothecary cabinet with labeled plumbing supplies on the door fronts with Brass pulls. Created by the Sexa...

Add a splash of gritty presence into any space with this robust industrial metal cabinet, straight out of the machine age! Standing over 5 feet tall, this steel structure features a ...

Loetz For Boudon And Klur Gilt Metal Monted Glass Vase. A highly sought after vase culminating the zenith of Loetz and the Art Nouveau design. Czech Republic Circa 1900 Rubin Ruby Papillon Decor Metal mount with indistinct impressed marks for Boudon and Klur Height: 10.5 Inches x 8 Inches wide x 5 Inches deep Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Loetz Pampas Glass And Metal Mounted Vase Czech Republic Circa 1900 Unmarked Height: 7.5 Inches, handle to handle 8.25 Inches Condition: Very good with wear commensurate of age and use with some loss to gilt, The Loetz glassworks existed in Klostermuhle, Austria, for just over a hundred years, starting from 1840. But its heyday was during the life-time of Max Ritter Von Spaun, grandson of the original Johann Loetz who had founded the company. Von Spaun took over the company in 1879 and ran it until 1908, a year before his death. He was assisted by Eduard Prochaska, his technical specialist, and together they invented, designed and produced a whole series of wonderful new types of glass, taking out several patents and winning awards at all the major world exhibitions during the 1890's and the first years of the new century. The Loetz company were amongst the leaders in Art Nouveau design and expecially in irridescent art glass. "Papillon" glass, like the vase on the left, is sometimes known today as "oil spot" glass. Another favourite Loetz colouring was irridized glass with pulled trails called "Phenomenon" glass. There were irridized vases with ribbons of metallic colours winding over the surface, and many spectacular designs with applied trails of beautiful colours, or simply pulled out of the body of the glass to form handles or decoration. About 1900 the company started collaborating with outside designers, and some great artists designed pieces for Lotz, notably Joseph Hofmann, Koloman Moser, Maria Kirchner, and Hofstatter. In 1908 Loetz was taken over by Max Von Spaun's son, also called Max, and although it struggled financially (going through bankruptcy in 1911 and again in 1931) there were several great designers whose work was produced by Loetz during those years and through the art deco period. These included Adolf Beckert...

Midcentury English siphons in glass covered by a metal grid. It has the trademark engraved on the bottleneck.  

A European painted wood vitrine cabinet from the late 19th century, with richly carved décor, glass doors and lower shelf. Created on the Continent during the last decade of the 19th...

This oak haberdashery shop counter dates from the 1920-1930s and was made in England. It features a solid wooden frame, a glass casing with many drawers in oak and oak handles.