1940's Italian Bookcase by Vittorio Lombardi

Early 1940's sideboard or linen press by Lorin Jackson for Grosfeld House. Two banks of four open drawers behind double doors. Carved foliate handles and curved notched corners. T...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

SATURDAY SALE Blonde polished lacquer console cabinet by James Mont (1904-1978), the father of "exotic modernism" who introduced "orientalis...

Lorin Jackson for Grosfeld House 1940s cabinet bookcase in mahogany featuring a pull-out secretary with writing surface. Distinctive Grosfeld "Glassic" Lucite ring pulls with sunbu...

Cabinet with height-adjustable shelves, ash wood and ash veneer with openwork on the sides, very fine quality. French polish. Italy circa 1950

Italian Mid-Century Modern bookcase in wood and brass, attributed to the designer Paolo Buffa, made in circa 1960s. Dimensions: W 123 x D 34 x H 191 cm.   

Bring home a classic slice of mid-century modern history with this Heywood Wakefield low bookshelf, dressed in the brand’s beloved champagne finish. Compact yet full of character, the piece measures 36 inches wide by 11 inches deep and stands 32.5 inches tall—a versatile size for any room needing a little extra storage with a whole lot of style. This bookshelf exemplifies the best of mid-century craftsmanship. The solid maple frame, gracefully softened at the edges, creates a gentle silhouette that complements both vintage and contemporary interiors. The champagne finish enhances the natural grain of the wood, producing a soft golden sheen that feels warm and inviting. It features two adjustable height shelves offering three levels of open storage—ideal for books, ceramics, or small plants. Whether you're filling it with classic novels or showcasing collectibles, the design encourages personalization. The shallow depth keeps the footprint minimal while still offering ample display space. The bookshelf’s low profile makes it an excellent choice for under windows or as a base for wall art. It’s a flexible piece that transitions easily from room to room and function to function—from a child’s room bookshelf to an entryway...

Beautiful mid century modern bookcase by Ignazio Gardella in rosewood and brass (1950-1959)