Antique Victorian Burr Walnut Marquetry Bookcase Display Cabinet 19th Century

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About the Item

This is a stunning antique Victorian burr walnut marquetry ebonised and ormolu mounted bookcase / display cabinet, circa 1860 in date The piece features a rich and striking grain, has been accomplished in a burr walnut and ebonised finish with amboyna wood cross banding, colorful floral marquetry panels, with further foliate decoration and stunning gilt ormolu mounts. The upper section is enclosed by three glazed panel doors which reveal two shelves, the bottom section has a central shelf, and it has the original shelves, locks and glazing. The interior has been superbly lined in a decorative yellow silk, and it is complete with working locks and keys. Instill the elegance of a bygone era to a special place in your home with this fabulous antique bookcase. Condition: In excellent condition having been beautifully cleaned polished and waxed, and the interior relined in our workshops, please see photos for confirmation. Dimensions in cm: Height 245 x width 200 x depth 53 Dimensions in inches: Height 96.5 x width 78.7 x depth 20.9. Walnut and burr walnut Walnut is a hard, dense, tight- grained wood that polishes to a very smooth finish. It is a popular and attractive wood whose colour ranges from near white in the sapwood to a dark hew in the heartwood. When dried in a kiln, walnut wood tends to develop a dull brown colour, but when air-dried can become a rich purplish-brown. Because of its colour, hardness and grain, it is a prized furniture and carving wood. Walnut veneer was highly priced and the cost would reflect the ‘fanciness’ of the veneer – the more decorative, then the more expensive and desirable. Burr walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find. Walnut "burrs" were often used to make fabulous furniture. Veneer sliced from walnut burl is one of the most valuable and highly prized by cabinet makers and prestige car manufacturers and is also a favourite material for shotgun stocks. Inlay was commonly used in the production of decorative burr walnut furniture, where pieces of coloured veneers are inlaid into the surface of the walnut, adding delicate or intricate patterns and designs. Inlays normally use various exotic veneers, but other materials such as mother-of-pearl, brass or bone were also be used. Marquetry is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-17th century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing shell and brass with pewter in arabesque or intricately foliate designs. Ormolu - (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'. The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object. After circa 1830 because legislation had outlawed the use of mercury other techniques were used instead. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt.

Dimensions:
Height: 96.46 in (245 cm)Width: 78.75 in (200 cm)Depth: 20.87 in (53 cm)
Style:
Victorian (Of the Period)
Materials and Techniques:
Ormolu,Walnut,Ebonized,Marquetry
Place of Origin:
England
Period:
1860-1869
Date of Manufacture:
circa 1860
Condition:
Seller Location:
London, GB
Reference Number:
Seller: 089631stDibs: LU950612981741

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