Diminutive 17th Century William and Mary Figured Walnut Bureau Bookcase on Stand

A superb and exceptionally well proportioned early 18th century figured walnut ‘pagoda topped’ double dome bureau bookcase, circa 1720 England. The upper section is surmounted with what is believed to be the original solid walnut finials and soft bevelled mirror plates, opening to a removal bank of walnut veneered and feather banded drawers, cantered by pigeonholes below two shelves. Candle slides are neatly stowed below the bookcase doors to reflect the light. To the moulded bureau, the fall opens to reveal pigeonholes, long and short asymmetric drawers each beautifully veneered in figured walnut and feather banded, cantered by a cupboard door which neatly conceals an open compartment and drawer. Below the fall, two short and two long graduating oak lined drawers are each book-matched in superb sections of hand-cut figured walnut veneers over bun feet. It should be noted that this exceptional desk and bookcase, is not only of the finest cuts of figured walnut veneer but exquisitely made at the pinnacle of design which had gradually evolved predominantly in London, during the late 17thand early 18thcentury. The actual description 'desk-and-bookcase' appears to be first recorded in the accounts of the Royal cabinet-maker Gerrit Jensen (fl.1680-d.1715) who supplied several for the Royal Household from 1710 (Bowett, op. cit.), and another described as 'a walnut writing desk, the top for books and patons and glass in the doors asked' for the 5th Earl of Salisbury, Hatfield House.  Another maker of this form of desk was the London cabinet-maker John Gumley (1691-1727) who advertised in Richard Steele's Lover on April 24 1714 that he 'hath taken for a Ware-house, and furnished all the upper part of the New Exchange in the Strand' continuing with an extensive list of his stock including 'Desks and Bookcases.' In 1714 he supplied one of these in walnut to James 1st Duke of Montrose for the sum of £11. Russian cabinetwork of this period was strongly influenced by Tsar Peter I return to Russia after his studies in London. He subsequently sent twenty-four cabinetmakers who were working in Amsterdam to London to train as furniture makers. One of these cabinetmakers named Fedor Martynov made furniture for the Empress Anna Ioannovna. Martynovs drawings are almost identical to the present piece. Literature Mallett’s Great English Furniture, London: Bullfinch Press 1991, p.248, fig 287, by Lanto Synge, English Furniture 1660-1714 From Charles II to Queen Anne, by Dr Adam Bowett, Woodbridge: Antique Collector’s Club, 2002 Chapter 7 Case Furniture 1689–1714 pp.221-223 fig. 7:53 A walnut bureau bookcase of the same form and period sold from the private collection of Patricia Kluge...

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A rare William & Mary period walnut double-dome bureau bookcase / cabinet. Circa 1685. Of compact size and proportions. In excellent overall condition with old, waxed, well-patinated surfaces of very good color. This bureau bookcase, or cabinet, divides into three separate sections (which helps date it to the last quarter of the 17th century). The bold double-dome pediment and cross-grain mouldings are typical of this period, and are repeated in the side returns. The book-matched, hand-cut veneers are well figured throughout, and are contained within herringbone lines. The bookcase section has candle slides, contains shelves and fitted drawers. Gilded finials are later. The centre section with a quarter-veneered fall reveals a fitted interior, concealed well and a secret compartment. The writing section is raised on a three-drawer base with an unusual and boldly-arcaded apron, in turn raised on its apparently original walnut bun feet. The drawer dividers are faced with cross-grain walnut ‘D’ mouldings. The brass engraved mounts are correct for period but not original, however the locks and hinges are. It is unusual to encounter these early bookcases / cabinets constructed in three stages; an indication of a transition taking place from the 17th into the 18th century. This is a fine, rare and sophisticated piece of late-17th century walnut furniture...

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