A Large Early Nineteenth Century Mahogany Architectural Bookcase

An Early 19th Century Satinwood Glazed Bookcase Of ‘pure’ from and handsomly drawn design, the strong lines and architecturally driven shaping is complimented by the lustre of the s...

A Pair of Early 19th Century Bookcases Additional information: Dimensions: Height: 258.5 cm, 8 foot 6″ Height of bottom cabinet section: 91.5 cm, 3 foot Width: 150 cm, 4 foot 11″ De...

A pair of exceptional quality Regency architectural bookcases, with grill doors on plinth bases, English, circa 1835. Almost certainly by Holland and Sons. Height: 235 cm (92 3/4 i...

The broken pediment above moulded and segmental cornice, carved with repeating egg and dart and foliate mouldings, each bookcase with exceptionally executed and original bevelled flo...

K0623 Early 20th century, solid mahogany open bookcase of unusually narrow proportions, having figured mahogany, oversailing top above three solid mahogany shelves and solid mahogany...

A lovely quality early 19th Century mahogany bureau bookcase with later (Edwardian) cornice, the highly decorative carved pierced fret swan neck pediment with a central box column...

Early 20th century solid mahogany open bookcase, having oversailing top with moulded edge above very attractive Greek key carved frieze and two height adjustable shelves, all flanked...

An Exceptional Quality Early 19th Century French Mahogany Bookcase with the Finest Possible Veneers and Wonderful Carving Throughout. This superb bookcase features the best quality mahogany veneers laid on to an oak carcase with solid mahogany doors, all expensive features that were only employed by the best workshops when money was no object. The shaped cornice and the panelled lower doors suggest a gothic inspiration but this is handled with real delicacy which was often not the case with later 19th century gothic revivalism which could be overbearing and overpowering to the eye. Designed for the display of fine books, porcelain or objects, the top section of the bookcase is largely plain, allowing the fine veneers to shine in conjunction with small carvings on the pilasters and a number of finely executed mouldings. The lower section is where the decorative scheme becomes more pronounced, small acanthus carvings on the pilasters framing the spectacular panelled doors which are executed in particularly high relief. Even here where the decoration is more prominent, the grain of the mahogany catches the eye first as it is so beautifully figured and of excellent colour. The pilasters on this lower section are carved so as to simulate partially octagonal columns of obvious gothic inspiration and there are pull out reading and writing slides concealed in the frieze between the upper and lower sections. The doors in the base section open to reveal simple cupboards...