Brutalist Solid Oak Buffet, Spanish Colonial, 1940s

Credenza in Carved Oak with Marble Top, France, 1940s A sculptural monolith in sun-bleached oak, this credenza evokes the quiet grandeur of pastoral life, its façade animated by a deeply carved bucolic scene—a cottage, trees in leaf, a solitary figure mid-walk—etched with reverence into the very grain. The silhouette is solemn yet generous, framed by beveled moldings and resting on curled feet, each adorned with stylized foliage. A slab of black marble crowns...

Discover the allure of French craftsmanship with this charming and compact oak buffet from the 1940s. Despite its smaller size, this piece exudes timeless elegance and showcases the ...

An exceptional French Brutalist Art Deco vitrine cabinet from the 1940s, crafted in solid oak with striking architectural details. Discovered in Normandy, this piece reflects the cra...

Credenza, solid oak, France, 1940s. Large Art Deco Brutalist sideboard. This heavy Brutalist credenza seems to float on its elegant base. The credenza consists of two large storage ...

Hand-crafted in Spain in the early 1940s, this sculptural bar cabinet epitomises Brutalist design. Thick planks of solid oak are relief-carved in an irregular, geometric pattern that...

Pier luigi Colli oak sideboard, Mid-Century Modern, Italy, 1950s Beautiful oak sideboard. The oak has lovely patina throughout the piece. It is a large-scale sideboard with four doors and architectural details throughout. Amazing oak grain visible throughout the piece. Smoked glass mirrors cover the front doors. The piece is in original vintage condition. Measures: 19 inches deep 93 inches wide 33 inches high Hays Company/Pier Luigi Colli The firm was founded in Turin in 1850, as a laboratory that embroidered for the upholstery of armchairs and sofas. The manufactory collaborated with the Martinotti and C.ia furniture manufacturer, Giuseppe and then Luigi Martinotti, who since 1831 produced luxury furniture in style and from the end of the century in the most up-to-date liberty style. At the death of Federico Martinotti, the last male descendant of the family, in the twenties, the widow gave way to Teresa and Maria Colli and the two companies reunited, assuming the name "Colli da 1831" (with the date they referred To the foundation of the firm Martinotti). Then came Pier Luigi Colli (1895-1968), younger brother of the two holders who had attended the courses of the École des arts décoratifs. Pier Luigi Colli, thanks to his close relationship with Paris, imported Lalique glasses and Jean Perzel decor lamps in Turin. The company took care of the real train setup, built by Fiat Ferroviaria and the technical office, led by Pier Luigi Colli, designed and produced the chairs of the Magna University of Turin and the furniture of the Turin seat of the Bank Italy and the Prefecture. In addition to the furniture, the company produced embroidery for coverings and curtains, carpets, lamps with Seguso glasses, door locks and door handles. The company also carried out works designed by external architects: Gio Ponti (partition walls and windows in the Turin headquarters of Vembi), Giovanni Gariboldi (furnishings for the Richard Ginori showroom in Rome), Carlo Mollino (railing of the RAI auditorium and window frames Of the Royal Theater), Domenico Morelli (furniture of the Rai skyscraper); Gabetti and Isola (neoliberty furniture on the stock exchange) Aldo Morbelli (furniture of Fasano jewelery in Via Roma...

This stunning sideboard is a remarkable example of 1930s French oak craftsmanship, reflecting both Brutalist and Art Deco influences. Its solid oak construction features a rich, warm...

Bent Buffet sideboard with flap in Renaissance style by Bassano's Ebanistery of the 1940s, in walnut and walnut folder. With two drawer sides, the central stage with internal shelf, ...