Antwerp Cabinet In Ebony And Bone, 17th Century

Antwerp cabinet, ebony and blackened wood, 17th century

Cabinet In Ebony And Blackened Wood, Bone Inlay, 19th Century

Renaissance credenza, two-door dressoir-cabinet, Netherlands, 17th Century

Louis XV Notary Secretary Cabinet In Veneer, Stamped With Nicolas Petit 18th Century Louis XV mahogany, amaranth and rosewood veneered notary's secretary, stamped Nicolas Petit, sec...

On offer here is an antique four-door cupboard, in Dutch, named “Kussenkast”, that was made in the Northern Netherlands in the late 17th century. This cupboard takes its name from th...

A fine example of an 18th century Flemish ebonized collectors cabinet with hinged locking top and two front doors with faux red tortoise shell interior lining, opening to a velvet li...

This precious table cabinet opens with a lid and has nine drawers richly decorated with ivory and ebony marquetry depicting foliage and scrolls, each drawer has an ivory pull...

IMPORTANT CABINET WITH TWO BODY IN BLACKENED WOOD CARVED AND ENGRAVED ORIGIN: FRANCE PERIOD: 17TH CENTURY Height: 188 cm Width: 135 cm Depth: 53.5 cm Blackened wood and veneer: rosewood, ebony, pear, mahogany Framed in oak wood A real ceremonial piece of furniture, this two-part cabinet opens with two historiated panels and two drawers in the upper part and two leaves and two belt drawers in the lower part. Richly worked, it offers both inside and outside a floral decoration, finely engraved which contrasts with the importance given to geometric lines. This duality, typical of this type of cabinet, confirms its dating and its origin. In addition, the gilded metal locks and fittings enhance the sumptuous trait of this piece of furniture and also contribute to its ornamentation. Furniture of predilection for “enclosing the most precious things” (Furetière, Dictionnaire, 1690) the appearance of cabinets in the 16th century accompanied the development of wunderkammern, these cabinets of curiosities enriched both by the vogue for the antique and by distant expeditions which bring back with them natural wonders and rare testimonies of distant civilisations. The curious, combining fortune and culture, brings together antique medals, rare plants, fossils, or oriental ornaments. This meeting of pieces which embodies much more than their material reality, a subjective evocation of all the riches of the earth and all the knowledge of men, acts in the eyes of its owner like a microcosm of which he is the master and which he enjoys according to his will. This is how the first cabinets were designed to be transportable, often wooden structures calling for riches only those they housed for a collector who refused to part with them, even temporarily. In the 17th century, the cabinet gained in technical complexity and luxurious materials until it could no longer be moved itself and became a prized and expensive collector’s item...