Early 20th Century Russel & Sons Wooden Glass Top Floor Display Case Vitrine

Antique Swedish Glass-Top Cabinet Made in Two-parts. The base has a set of 4 drawers and the top display cabinet has two glass doors that is pati...

Fantastic European wood pedestal with layered gold paint. This substantial table pedestal stand is certainly a versatile piece with many uses including on a kitchen counter, or the c...

Framed Village Landscape with Houses, 1920's France. A beautiful Parisian painting on canvas depicting a peaceful village landscape with a row of houses on a street featuring a scene...

Early 20th Century Italian jewelry box. This sweet petite box is a perfect piece to hold jewelry or any small collectibles. Sitting atop a vanity, d...

Elegant early 20th century hand painted and gilt gold decorated showcase / display cabinet. The showcase features an oval and rounded painted wood side with glass panels, lacquered, gilded and hand painted wood with very pleasant courtship scene decorations on each side. The front body of the display cabinet is equipped with one large wood frame with glass door panel...

Early 20th century French giltwood display cabinet French, early 20th century Measures: Height 175cm, width 130cm, depth 40cm This beauti...

Display your treasured objects in this beautiful early 20th century French Empire style mahogany vitrine. Beveled glass panels can be found in the case antique’s door and sides, allowing one to view the contents placed inside on its two glass shelves. A mirrored back gives the illusion of a completely transparent cabinet. The vitrine has recently undergone a refinishing, giving the antique a ‘like new’ appearance. The wonderful brass hardware found at the capital and base of the pilaster columns which flank the door has been polished to a brilliant luster - along with the sabots that cap the front feet. Inside, two additional finished mahogany lower shelves can be used to house objects...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...