Fine Charles II Oyster Olivewood Walnut Marquetry Cabinet on Stand

An outstanding and rare, 17th-century Japanese mulberrywood gilt-lacquer cabinet raised on a later stand. This fine and exceptional two-door, gilt-heightened cabinet - reputedly in mountain mulberry wood...

A fine, and rare, very closely-matched pair of late-17th century oyster walnut chests on stands. English, Charles II period, ca 1685. Both with f...

This exceptional 17th-century chest / cabinet has one long working drawer, and one deep drawer, with cupboards retaining internal shelving below. All faced with elaborate, mitred, geometric mouldings, applied split balusters, carved corbels, roundels and engraved mother-of-pearl and bone panels. Some panels apparently in ebony. Dentil cornice to the frieze. Bun feet replaced following the original design. Great colour, old surfaces and overall condition is excellent. It conveniently divides into two sections. Circa 1660. Provenance: Lisgoole Abbey, N. Ireland. Literature: R. W. Symonds, 'The Present State of Old English Furniture', Duckworth, London (1921) fig. 7, dated 1673. Vis a very similar 17th c chest. Percy Macquoid RI, 'A History Of English Furniture - The Age Of Oak', Lawrence & Bullen, London (1904-08) p. 76, figs. 140 & 141, for two similar chests of ''well considered proportions and details’’. Figs. 203 - 210 exhibit further similarities in design, and MacQuoid states that “the fashion for these chests must have been great, as many varieties of them… followed rapidly upon one another in date” [sic] pp. 97-99. Viz p. 77, fig. 141 (Oak chest with drawers). The top opens in a long drawer, below is a very deep drawer, panelled in strong projection, the bevels of which are of so-called zebra or snake-wood. The lower portion of the chest, opening in two doors... [sic]. Nb. The chest illustrated in Macquoid is of oak, but in 1680 it was probably to match some other furniture, painted black and lacquered in what was then termed ''The Indian Taste'', so very fashionable for a time. The bone and pearl inlay is very cleverly imitated in the lacquer-work. Ralph Edwards CBE FSA, 'The Shorter Dictionary of English Furniture', Hamlyn, London (Fourth Impression 1972) “The next stage in the evolution (of the chest) was delayed until c. 1650, when a hybrid form, half cabinet and half chest...

A fine English George I-period burr (burl) walnut secretaire cabinet. Early-18th century, ca 1720. The top section separates from the base and opens to reveal numerous fitted drawers, behind doors with original bevelled arched mirror plates. The base contains a fall-front fitted secretaire with small drawers, two of which have secret drawers. Engraved mounts are contemporary if not original. All locks and cross-grained mouldings are original. Beautiful colour throughout with superb matched burr veneers within herringbone lines. Bun feet are original. Lined throughout in best quality English oak. The well-patinated green, gilt-tooled liner in the writing surface appears original. Very much in the style of John Old & William Ody. One of the most original early-18th century pieces of English walnut cabinet...

An English William & Mary period oyster laburnum and walnut chest ca 1700. William lll (1650-1702). A classic oyster-veneered chest of two short and three long graduated drawers all faced with exquisite oyster veneers banded in fruitwood. The top with well-chosen oyster inlays...

An 18th-century mahogany bureau cabinet of impressive architectural form and lovely rich color. George II period, circa 1740. The top surmounted by a bold architectural pediment and centered by a brass finial. The two arched panel doors reveal three adjustable shelves which have candle slides below them. Furthermore, the bureau section is fitted with a stepped interior. This has two secret compartments, drawers and pigeon holes, and the fall is conventionally supported on two lopers. Lined in the best quality English oak. The blind doors of this Georgian cabinet have well-figured mahogany panels of very good rich color which reflect beautifully in the candle light. The chamfered and arched doors display a further level of sophistication and quality. The beautifully-drawn arched pediment is in perfect proportion with the rest of the cabinet / bookcase. In excellent condition overall. Architectural furniture designs on the continent commenced with the arrival of the Renaissance, and they have their origins in Roman and Greek architecture. Nb. Bureau bookcases display books, china or silver behind glazed doors, but are described more accurately as bureau cabinets when they are fitted with blind doors. We often refer to antique bookcases / cabinets as ''secretary desks'' in the US. Information on pediments: 'Illustrated Dictionary...

Charles II walnut and mulberry marquetry cabinet on giltwood stand, c. 1650-1670. Giltwood cresting and stand appear to be from a few decades later. The form of furniture now described as a cabinet developed across Spain and France in the 16th Century. In architecture, a cabinet is a small private room for the housing or display of precious objects, hence the term could be aptly applied to the small, portable pieces of furniture made for the carriage and display of valuable items and able to stand upon a table, trestle stand...

Antique Flemish / Dutch walnut marquetry Royal Manuscript cabinet, circa 1680. The cabinet possessing a stepped cornice with a carved frieze of frui...

A William IV cabinet attributed to Town and Emmanuel Constructed in a strongly grained olivewood and dressed with gold brass inlays and an etched and engraved brass panel; rising from a plinth base, the lockable single door having an inset panel in the manner of Jean Berain, enclosing a shelved interior, and flanked by narrow vertical conforming panels; the apron being dressed with three bronze rosettes, and the Jura Jaune marble is dressed with a three quarter arcaded brass gallery, circa 1830 The cabinet is illustrated and discussed in Christopher Payne’s “British Furniture 1820 to 1920” published in 2023. Payne singles out the rarity of the olivewood timber used as well as the necessity for hand cutting the large marquetry panel. Literature: Payne, Christopher. British Furniture 1820 to 1920 : The Luxury Market. ACC Art Books, 2023, pp. 38-39 (illus. fig. 1.33). Town and Emanuel Recorded in the 'Dictionary of English Furniture Makers 1660-1840', published by the Furniture History Society, as being situated at 103 New Bond Street between 1830 and 1840, and apart from being manufacturers of furniture, also dealt in 'curiosities and antiques'. The late renowned connoisseur Christopher Gilbert records in his 'Pictorial Dictionary of Marked London Furniture' London 1997, also published by the Furniture History Society, a writing table in the Transitional manner with similar plaques. Their label reads 'Town and Emanuel, manufacturers of Buhl Marquetrie, Resner (sic) & Carved Furniture, tripods, screens & c. of the finest and most superb designs of the Louis 14th. Splendid cabinets and tables inlaid with fine Sevres and Dresden china...

A beautiful and impressive antique cabinet. I would say it’s French and dates from around the 1930-50’s period. It has gorgeous inlaid floral designs and nice ormolu mounts througho...

Rectangular faux marble top over a case with a single drawer over a pair of cabinet doors opening to a fitted interior with drawers, over a drawer and a door, sides with similar deco...

This intricately carved, beautiful wooden cabinet originates from France circa 1890. The center cabinet features a scene depicting a labrador carrying a catch of the day from hunting...