Unique Waxed Aluminum Cabinet with Natural Dusty Pink Stone by Pierre De Valck

Cabinet with Thulite by Pierre De Valck. Dimensions: W 55 x D 34 x H 70 cm. Materials: Waxed aluminum with petrified oak Weight: 65 kg. Each piece is unique. ...

Small cabinet with petrified oak by Pierre De Valck. Dimensions: W 55 x D 34 x H 70 cm. Materials: Waxed aluminium with petrified oak Weight: 35 kg. Each piece is unique. Pierre De Valck (1991) born in Brussels, is a Ghent-based designer with a childhood fascination for archeology and collecting historical artefacts. His furniture attempts to harness the power of ancient geological processes in a contemporary bodice. Modern antiquities that allow the rediscovery of an ancestral past. Pierre De Valck manually encrusts each piece of furniture with unique minerals and stones...

French 1940s cabinet by Pierre-Paul Montagnac. Model exhibited at the 1945 Salon d'Automne. This cabinet is a masterpiece of French cabinet-making designed by Pierre-Paul Montagnac....

A unique late 19th century gilt bronze mounted parquetry cabinet by François Linke and Léon Messagé François Linke and Léon Messagé This unusual cabinet features a cube parquetry top with a back splash centered with a plume of bronze feathers and flowers, above a long single drawer with a bronze leaf-clasped scallop shell and two handles shaped as wings, the sides headed by foliate and flower-cast clasps. The cabinet was most likely made to store magazines or original phonograph records. Stamped FL under many of the bronze mounts, the lock stamped CT LINKE/PARIS Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new, Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...