Italian Glass and Wood Credenza

1975 Paul Evans Cityscape console in burl wood and chrome. Beautiful console featured in Paul Evans book.

Florence Knoll's iconic sideboard/credenza in rosewood with marble top. The sideboard features 4 bays with internal shelving in one bay and file drawers and smaller drawers in three ...

A stunning credenza by Vladimir Kagan Design Studio. Credenza floats on a wood base clad in a brass finished metal. There are three file drawers with hanging fixtures in place. Top i...

A stunning burled olivewood credenza designed by Roger Sprunger for Dunbar. The credenza features gorgeous wood grain and clean, sleek modern lines. The wood case rests on black meta...

These magnificent display cabinets came from an upper east side home in NYC. They appear to be custom made and possibly Maison Jansen. They are solid brass with a lacquered wood finish. There is tempered glass on the back and the sides along with four push front glass doors on the front of each cabinet. Each cabinet has five glass shelves. The lower section of the display cabinets has four lacquered doors ornamented by beautiful hammered brass handles. Each concealed section has a lacquered shelf...

Six drawer antique Italian Rococo style painted commode. Interior has silk lining. Structurally sound. Paint has a nice patina. Blends beautifully...

Large Vittorio Dassi Credenza in Wood, Glass and Brass from Italy, ca the 1950s. This is a true eye-catcher. It has five doors with shelves behind it and three original keys availabl...

Typical Vittorio Dassi credenza with its futuristic shapes and shiny appearance. Some sort of spaceship but then with mirror to see how beautiful you are. Shiny, outspoken and luxurious all resting on bended ballerina legs (with brass feet) that are in a slightly different color than the credenza: a bit more towards the red / purple while the other wood is brown and black. The top of the credenza is made of glass with underneath very slight pink paper...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th centu...

Paolo Buffa (1903-1970) architect, designer Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects. After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop. In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow. The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI). By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions. 1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman. In 1947 Buffa was invited by esteemed textile designer Fede Cheti to participate in the exhibition “Lo Stile nell Arredamento Moderno” (The Style of Modern Furniture), celebrating the rebirth of quality execution and technical perfection in the reinvention of classic Italian furniture...

With a minimal design that showcases expertly crafted materials, the Monterrey Credenza by Chai Ming Studios combines storage with style for any spac...

This console is made from locally sourced Italian wood, found Piedmont, Italy and treated with linseed oil.   RECOVERED WOOD: - SOURCED IN PIEDMONT, ITALY - RECOVERED FROM A DISMANTL...