James Bearden Capsule Cabinet, Cathedral Series, 2013

Contemporary New York artist Patrick Carrara's black ink on Mylar drawings were created in 2013 - 2015. This is his latest series Appearance, which he started te...

Contemporary New York artist Elena Lyakir's Diptych, Destiny and Fate, were photographed in 2013 and are part of her Land and Sea Series. This is a meditation on the essence of seein...

Contemporary American ceramic artist Joanna Poag's Encompassed No. 7 tabletop sculpture is part of a series. It's hand built clay fired to cone 6 with clear glaze. Encompassed is a b...

Contemporary artist Jennifer Printz "Beset" and "Mourning" hand-printed woodcut on Kozo paper prints are matted and framed in wood with anti-static, non-glare Plexiglass glazing. It'...

An abstract artist of the 21st century, James Bearden has produced statement sculptures since 2007 from his workshop in Des Moines, Iowa. His work combines abstract composition, roug...

Measuring in at just over five feet wide, this Vanleigh credenza gives new definition to the word "multi-purpose". It can be a bar, credenza, server, buffet, etc. Beneath the lamina...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

Stunning 'PE-19' Deep Relief floating wall cabinet by Paul Evans for Directional, produced in 1964, signed and dated 'PE 64'. This incredible collectors piece is fabricated from patinated segments of enameled steel which have been welded with applied textures and patterns with a slate top and two cabinet doors which open to reveal a stained red wood interior with adjustable shelf. The fusion of these exterior materials formulates an exemplary piece which would be a welcome addition to any design connoisseurs collection. We also carry other Paul Evans designs, including Cityscape, Patchwork Copper and Sculpted Metal Collections. Contact us for more information or see our other listings for more details. This Paul Evans PE19...