James Bearden Capsule Cabinet, Cathedral Series, 2013

The PE-131 coffee table, designed by Paul Evans, is an impressive piece within the line he created for Directional Furniture. It belongs to the popular bronze series PE100-200, intro...

Contemporary artists Tom Lollar and Jane Manus' "Map of Rome" Rectangular Coffee Table. Hand-carved marble, Roman fantasy map motif with circular drawings ...

Contemporary artists Tom Lollar and Ricardo Arango's Agrippa and Constantine Cube Tables. They are hand-carved marble, coin motif drawings of the Roman General Agrippa and Emperor Co...

Contemporary American ceramic artist Joanna Poag's Binding Time (Black Grid with leaves) table top sculpture is part of a series. It's hand built clay, high fired to cone 6 with gla...

This is a one-of-a-kind, trinket box from the "Dwelling" series, of torch-cut, welded, textured and enameled steel. Created by American artist, James Bearden, this unique item is a t...

"Pod Box on Stand," a sculptural work in patinated steel and fused bronze by Des Moines, Iowa artist James Bearden. The hinged and abstractly naturalistic...

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

"Sculpted bronze" buffet by Paul Evans for Directional the front fitted with four panel doors and the top fitted typical slate slabs, the inside featuring adjustable shelves. Signed:...