James Bearden "Labyrinthine" Cabinet, from the Cathedral Series

This substantial antique oak wardrobe has simple, elegant lines and great functionality. The timeless design adds to the appeal of the gorgeous oa...

Pair of interesting brutalist sconces in the manner of Paul Evans, 20th Century. Created from metal and resin, the sconces are perfect in many interiors, including arts & crafts, mi...

Uniquely French, these wrought iron "fire dragons" are great as decor in your fireplace, with or without the burning flames. With today's eclectic and layered interiors, the Gothic d...

Antique silver plated tea urn, with ornate arms and lid, from the late 1800's, manufactured in Baltimore, MD, by Chas. Hamill & Co. Lovely vessel to stash all kinds of goodies, thoug...

Designed and made in Iowa, USA, master metalsmith and sculptor James Bearden blurs the line between practical furniture and exotic sculptural expression. This cabinet, 'Array Credenz...

James Bearden credenza, 2014 from Cathedral series, signed, blackheat enameled steel, bronze and slate.

"Segment Étagère” a sculptural work in torch-cut and polychromed steel with fused bronze, solvent dyes, and glass enamel, with four glass shelves. By American artist James Bearden. The rectangular étagère, with its dramatic yet delicate composition and juxtaposition of shapes and colors drawn from Bearden’s evolving vocabulary, is perched atop four slender legs. Bearden's work was featured in a 2020 solo exhibition at the NY Design Center titled "James Bearden: Technical and Aesthetic Revelations," in an article in the January 2017 Interior Design Magazine; in an introspective feature on 1stdibs; and in a feature article in DSM Magazine. The étagère is part of a group of case pieces being offered individually--see the photo of three cabinets below. Custom sizes and colors are available upon request. In an introduction to the 2020 exhibition, curator Kartrina Weinberg wrote: "In the two years after the artist’s last solo exhibition — where the material reality of steel was evident in both its title and monochromatic appearance — Mr. Bearden sought to break free from pre-conceived judgment of his medium, as well as the persistent misnomers applied to his art. While subtle color play has always existed in his previous works, the development in his coloring technique — from painted polychrome to dyed glass enamel — allowed for dramatic saturation and stunning complexity in his new palette, bringing heightened immediacy to his biomorphic and anthropomorphic imagery. The artist had always challenged the gravitational reality of steel, but he has found new expressions towards verticality and delicacy, transcending material and elevating function. The open compositions, ranging from ornamental tracery to dynamic use of negative space, allow for the interplay of light and air, animating the environment with ever-changing viewing possibilities. This exhibition took inspiration from the naturalist traditions and fantastical imagery of Early Netherlandish paintings...

A mid-century cabinet No. U-450 designed by Jiří Jiroutek made of ash, birch, fabric, and steel. The cabinet features a flip-top concealing storage with venting along the underside. ...