Ceramic Cabinets
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Style: Louis XVI
Material: Ceramic
Sevres mounted Bonheur du Jour, 19th Century
Located in Brighton, Sussex
A very good quality late 19th Century French Louis XVI style Kingwood Bonheur du Jour, having inset Sevres porcelain style plaques depicting flowers, quartered veneers to the doors a...
Category
19th Century French Louis XVI Antique Ceramic Cabinets
Materials
Porcelain, Kingwood
Pair of Louis XVI Style Gilt Bronze Cabinets
Located in Dallas, TX
A beautiful 19th century pair of Louis XVI-style Gilt Bronze and Porcelain two door cabinets with marble tops.
Category
19th Century Louis XVI Antique Ceramic Cabinets
Materials
Bronze
Antique Ormolu & Porcelain Mounted Table Top Credenza Cabinet 19th C
Located in London, GB
This is a stunning antique French Louis XVI Revival ormolu and Sevres porcelain mounted goncalo alves crossbanded satinwood and marquetry 'table-top credenza', Circa 1870 in date.
...
Category
1870s French Louis XVI Antique Ceramic Cabinets
Materials
Ormolu
Fine Sevres Style Porcelain Mounted Secrétaire, 19th Century, After Henry Dasson
By Henry Dasson
Located in Brighton, Sussex
A fine quality late 19th century French side cabinet with a marble top, a fall front secrétaire, having wonderful hand painted Sevres...
Category
Late 19th Century French Louis XVI Antique Ceramic Cabinets
Materials
Porcelain, Mahogany
Pair of Louis XVI Style Vitrines with Wedgwood Plaques by Zwiener, circa 1880
Located in Brighton, West Sussex
An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener.
French, circa 1880.
Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts.
Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'.
This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs.
The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305].
A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring.
The second vitrine has a classical plaque...
Category
Late 19th Century French Louis XVI Antique Ceramic Cabinets
Materials
Bronze
Early 19th Century Louis XVI Style Sideboard / Cabinet
Located in Tarry Town, NY
Early 19th century Louis XVI style ebonized fruitwood parquetry with inlaid porcelain and inserted guilloche gilt brass insert. The front of cabinet / sideboard has polychrome decora...
Category
1810s French Louis XVI Antique Ceramic Cabinets
Materials
Bronze
Louis XVI Style Five-Drawer, Marble Top Chiffonier by Zwiener, circa 1880
Located in Brighton, West Sussex
A fine Louis XVI style gilt bronze-mounted five drawer, marble top chiffonier by Joseph-Emmanuel Zwiener.
French, circa 1880.
Stamped to th...
Category
Late 19th Century French Louis XVI Antique Ceramic Cabinets
Materials
Marble, Bronze
Pair of Walnut Side Cabinets with Sèvres-style Porcelain Mounts, circa 1880
Located in Brighton, West Sussex
A good pair of gilt bronze-mounted walnut side cabinets with Sèvres-style porcelain mounts.
French, circa 1880.
The rectangular tops having out-stepped corners above a single ...
Category
Late 19th Century French Louis XVI Antique Ceramic Cabinets
Materials
Bronze
19th Century Marquetry Inlaid Pier Cabinet
Located in Brighton, Sussex
A fine quality 19th century seaweed marquetry inlaid Pier cabinet, having gilded ormolu mounts and a 'Sevres' porcelain plaque to the center of the door.
The door opening to reveal ...
Category
19th Century French Louis XVI Antique Ceramic Cabinets
Materials
Porcelain, Kingwood, Satinwood
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H 49 in W 52 in D 16.5 in
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Located in Belmont, MA
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Previously Available Items
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19th Century French Louis XVI Style Parquetry Cabinet
Located in Forney, TX
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Located in Brighton, West Sussex
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The porcelain panels depict pastoral scenes and floral sprays within bleu celeste borders. The fashion for porcelain mounted onto exquisite pieces of furniture was first brought to the novelty seeking Parisian connoisseurs by Ébénistes working for the principal Marchand Merciers, circa 1760. The pioneer was the celebrated Marchand Mercier, Simon-Philippe Poirier, working chiefly with the Ébénistes, Martin Carlin, who ordered his first plaques in 1758. These items were rare and sought after even at the time of their production, and most examples now reside in museum collections.
Poirier's partner and successor Dominique Daguerre was the largest purchaser of Sèvres plaques and took over what was a virtual monopoly on porcelain mounted furniture well into the 1790s. Not only did they order the materials direct from the Sèvres factory, but they also selected the cabinetmaker to execute the piece, often supplying him with designs in the form of detailed drawings.
The 19th century saw a revival for this fashion in porcelain-mounted furniture. 18th century plaques were often available to buy and many dealers would alter existing pieces or make new ones specifically to receive the plaques. The best known of these dealers were Edward Holmes Baldock, Nicolas Morel and Tatham in England, and in France, A.L. Bellanger, Vaché and Jules Piret...
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H 42.5 in W 36.5 in D 15.5 in
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