Regency Ebony and Brass Inlaid Collector’s Cabinet

A William IV period rosewood cabinet, having a Chinese carved and painted parcel-gilt gallery and applied parcel gilt panels with a frieze drawer and...

Mid-18th century mahogany mule chest in the manner of Wright & Elwick, the coffer with hinged lid standing on a separate base with two drawers over...

A twentieth century brass lamp base, taking the form of a fluted column with ionic capital, set upon a stepped square plinth. Ex. U.S. Embassy London. Dimensions refer to origi...

A Regency style storm lantern, the glass shade supported by a porcelain plinth base with supporting dolphins in blue, white and gold glazes. With red gla...

An unusual pair of late 19th century chrome and brass table lamps, in the Classical manner. Dimensions include bayonet fittings.    

A mid-20th century polished steel vase, the body seamed with brass. Now mounted as a lamp base. Height dimensions refer to height of metal vase only. Wired and tested for UK sa...

A superb early Victorian ebony collector’s cabinet, of rectangular form with two cupboard doors opening to reveal four short and two long drawers lined...

18th Century Dutch Collector's Cabinet was designed for the express purpose of keeping a wide variety of numerous collectibles in one case, and features, behind the main cabinet door...

Cabinet in the style of Viardot, with inlays in the doors, the fabric of the bottom has been changed, minimal wear from use and time in good condition, some old holes from xylophages

Unusual mid 19th century English mahogany collector's cabinet having two doors, the interior with turned bone handled pull out and adjustable shelves, the interior of the cabinet bea...

A good quality large oak collector’s cabinet with mahogany interior and dating to circa 1930. With three full length locking doors concealing a ...

Magnificent collector's cabinet from the Napoleon III period presenting very fine marquetry of crosspieces made from rosewood and rosewood species. This piece of furniture also forming a buffet or large meuble d'appui opening thirteen drawers and a central door, it is topped with a thick Morello red marble top with a double groove. Blackened wooden moldings highlight the frames and openings. We note a double projection on the facade. As is standard in the prestigious productions of major Parisian signatures, the rich ornamentation of very finely chiseled and gilded bronze is there, including bouquets of laurel wrapped in keyholes, lion heads and asparagus on the front uprights, various pearl friezes and gadroons. Cold stamped “GROHE in Paris...