Small french brutalist hosiery cabinet from the 1950s

This small drapery table will work perfectly as a product display table in a boutique or as a serving trolley in a kitchen. Equipped with two fully functional drawers, it is in perfe...

A favorite piece for a unique decor, this unique little bench features a backrest adorned with six brass flowers. Its base features period metal reinforcements; this collector's item...

Superb industrial cabinet from the 1950s in pine, completely restored. The whole has been sanded and/or thoroughly cleaned depending on the area, then completely treated and varnishe...

Maison Lecan presents this superb waxed conference table from the 1950s with ultra generous dimensions for large family tables. The assembly of the table is a nice piece of old cabin...

Rare cabinet from the 1950s, veneered on all sides. Sliding black lacquered doors on one side with shelves, glass shelves on the other side ( one chip on glass ) Two black drop leaf ...

Oak brutalist sideboard, cabinet, chest of drawers opening with two doors and adorned with a rich carved decoration representing dancers by Johnny Ludécher France, 1950s.

Exceptional Brutalist and Rustic Neogothical Style Cabinet, made to order around 1960,Paris Region, beautiful bleached Walnut with a great shine and patina, classical Diamon...

This sculptural sideboard holds a quiet monumentality—its façade a study in balance, depth, and geometric relief. Two symmetrical doors are adorned with deeply carved concentric medallions, each centered within a bevel-edged square that projects from the surface like a wooden echo. Between them, five central drawers offer rhythmic contrast with their horizontal fluting, lending a linear tension to the rounded volumes flanking them. In the style of Charles Dudouyt, this piece reflects the postwar fascination with medieval forms reinterpreted through modernist clarity. The carved motif—a recessed bull’s-eye framed in architectural moldings—recalls the rustic abstraction seen in French design of the 1940s and ’50s, where massing, form, and shadow did the work of ornament. Carved from solid oak, the cabinet is grounded by splayed bracket legs that introduce a subtle kinetic lift. Their flared stance balances the robust body above, suggesting movement held in suspension. The drawer pulls are brass discs, minimal in gesture yet warm in tone, allowing the sculptural surfaces to speak. Inside, the cabinet offers generous storage behind paneled doors, while the drawers glide with dovetail construction and timeworn ease. A visible fissure on one of the door medallions...