Case Pieces and Storage Cabinets

Mid 20th Century Chinese Red and Black Lacquer Soapstone Inlaid Dry Bar, circa 1960s. Features a demilune form with flip top opening to a mirrored area for glassware and bottles as ...

This is a Chinese red Georgian style chinoiserie secretary. It is a mid-century find that is heavily painted with pastoral scenes and go,t accents. It is most likely American and is ...

Smooth, curved, and distinctly contemporary, this capsule-shaped sideboard features a softly rounded silhouette that brings a sense of quiet sophistication to any interior. The body ...

This vintage space-age red plastic cube modular shelving system, dating from the 1970s-80s, is a stylish and functional piece of furniture. Made of hard plastic this original set inc...

\. SET 10 AVAIL.. *********NOTE PRICED PER UNIT.******* VINTAGE (OLD) Anna Castelli for Kartell. Red and White stacking storage / nightstands or end tables.. sliding plastic doors...

Müller Bar Cabinet in Metal. Germany. Design 1998, current production. Available in every RAL-color. A highlight for your office or your home: The cleverly designed bar cabinet KB 3...

Patricia Urquiola Hayama Cabinet For Cassina With her unmistakable design signature, what Patricia Urquiola creates is an invitation to travel, in the form of furniture – through t...

Perfect for that powder bath! This is a red lacquer chinoiserie cabinet with gold faux bamboo accents. The cabinet opens to a single sh...

The Revolving Cabinet looks like a mobile sculpture: light and innovative, it is the perfect emblem of the projects designed by Shiro Kuramata. Revolving Cabinet is made of a glossy...

A handsome and well made vintage cabinet from the 1960's. It features an Asian Modern motif with plenty of storage.

1950's Mid Century Chinoise Red Cabinet. Good storage and brass hardware.

Bridges Small by Muller Van Severen for BD Barcelona, 2024 Bridges is a collection of cabinets designed by Muller Van Severen. MVS developed the cabinets from their series of ‘Wave’ ...

A wonderful small console or wall table with a bit of storage underneath, however the top pulls out to be a 77" table - full sized to seat 4-6 people. The bold Chinese red lacquer i...

Patricia Urquiola Hayama Cabinet For Cassina With her unmistakable design signature, what Patricia Urquiola creates is an invitation to travel, in the form of furniture – through th...

Mid century embossed leather steamer trunk on caster wheels, with brass plated hardware. A vertical trunk - a royal traveling companion functioning as a...

This is an antique Victorian mahogany serving table or buffet, circa 1850 in date. It is made from mahogany, has a moulded top with twin frieze drawers over two tiered shelves and i...

Mid century molded plywood tall 4 drawer tall dresser by Paul Goodman for plymold In red translucent Lacquer. Has rounded design with concave handles with bentwood curved drawers and...

A Chinese Qing Dynasty period red lacquer cabinet from the 19th century, with two doors and hand-painted décor. Created in China during the Qing Dynasty, this cabinet captures our attention with its red lacquer beautifully adorned with a gilded hand-painted landscape and architecture-themed décor. Two doors fitted with large bronze hardware, open to reveal inner shelves and hidden drawers while the ensemble is raised on four short feet connected to one another through an apron carved in the front. With its clean lines and elegant motifs, this Qing Dynasty red lacquer cabinet...

A bold and majestic design marked by red and golden shades, this spectacular bar cabinet will make for a precious addition to a living room or dining room decor. Plated with red Boli...

Post Modern Memphis Salvatore Campos Art Brute Red Cat Metal Letter Desk Holder Wonderful, whimsical, bright Red Cat desk file by Brutalist American artist Salvatore Campos. The c...

A red lacquered Qing Dynasty period cabinet from the 19th century, with round brass medallion, drawers and carved gilded apron. This Qing Dynasty period red lacquered cabinet from th...

Cross cabinet project 9208, design Thomas ERIKSSON for HATCHES. Italy, 1992 ORIGIN Italy PERIOD 1992 DESIGNER Thomas ERIKSSON (Sweden, 1959) A Swedish architect and designer, he g...

A Chinese Qing Dynasty period red lacquered cabinet from the 19th century, with chinoiserie décor. Created in China during the Qing dynasty, this cabinet captures our attention with ...

An elegant and at the same time practical and useful work trolley, model Boby, this one designed by Joe Colombo and produced by Bieffeplast. Designed for ...

Iconic Paul Frankl 10-drawer chest with freshly polished brass X pulls, refinished and shown in Moroccan Red Lacquer from Frankl's Debonair Collection for Johnson Furniture. Pair Available. Please note buyer has the option to select any color for professional refinishing to match the desired interior. Certainly one of Paul Frankl's most celebrated designs, the chest is timeless and pairs well with contemporary, eclectic and mid century decor. Paul Frankl was known in the Art Deco period for his architectural skyscraper...

Smooth, curved, and distinctly contemporary, this capsule-shaped sideboard features a softly rounded silhouette that brings a sense of quiet sophistication to any interior. The body ...

Raymond Loewy for Doubinsky Frères DF 2000 Mid Century Red Fiberglass Valet Cabinet This cabinet measures: 19.75 wide x 21 deep x 4...

Sideboard in red lacquer manufactured and designed by Jean Claude Mahey for Roche Bobois 1980

Defined by pure geometry, this bar cabinet is as functional as it is sophisticated and will elevate any dining room with its bold colors and modern lines. The red china polyurethane ...

We designed this breakfront to look the part of an 18th century piece, but offer 21st century functionality. From the glass shelves that allow for the option of interior lighting to ...

Luxury style wardrobe trunk case with wheels designed by Shigeru Uchida. Aluminum body upholstered with red leather, inside wood is bubinga. Never used condition. Displayed at exhi...

A Chinese Qing Dynasty period cabinet with original red lacquer and gilt hand-painted court scenes décor. Created in China, this cabinet features its original red lacquer serving as ...

Mid century molded plywood low 3 drawer dresser by Paul Goodman for plymold In red Lacquer. Has rounded design with inset handles with bentwood curved drawers and legs. Good vintage ...

Low sideboard in two lengths, 246 or 290 cm. The suspension effect created by the transparent methacrylate base is emphasized by an LED back-lighting strip along the entire length of...

Italian modular red plastic 4601 3-5 chest of drawers by Simon Fussel for Kartell, 1970s. Modular cabinet model 4601 in red plastic, with ten drawers and a lid. Structure can be sepa...

Joe Colombo 'Boby' Trolley for B-Line. Designed in 1970, current production. Part of the permanent collection of MoMA in New York and the “Triennale” in Milan, Smau Prize in 1971. ...

Fantastic pop modern red plastic front credenza. Wonderful chrome details accent the edges and the top and sides are white lacquer. Great piece for a bold ...

A small Chinese Qing Dynasty period red lacquer side cabinet from the 19th century, with double doors, two drawers and brass hardware. Created in China during the Qing Dynasty in the...

Beautifully carved walnut armoire from the Normandy region of France.

Explorer Cabinet Small by Jaime Hayon for BD Barcelona The sinuous and elegant Explorer cabinet comes with space-age curves, functional storage and rich colours. Hayon wants furnitu...

A Chinese Qing Dynasty period Shanxi cabinet from the 19th century with original red lacquer and floral décor. Created in the North-Eastern province of ...

Wooden cabinet by Charlotte Perriand, featuring striking red doors and a solid pine frame. It’s pure lines and natural contrast embody the sign of Perriand’s design — functional, war...

Playhouse Modular Showcase Cabinet by Matteo Cibic is a modular cabinet that can be used singularly or be grouped as customized cabinets. The modules may be with or without doors. I...

Red Chest of Drawers by Carlo de Carli, Italy, 1960s

A Chinese Qing Dynasty Ningbo red lacquered four-door wedding cabinet from the 19th century, with butterfly hardware. Created in Eastern China durin...

The sculptural low steel sideboard Robot Too is great as a media/AV stand. The slim pigeonhole shelf on top has a half-open back to allow for wiring and leads. Playful and elegant in...

This piece is crafted from metal and coated with liquid ceramic, giving it a sleek and sophisticated appearance. Wilma is part of Paleolite, an experimental collection of accessories that arise from Cibic’s research on Etruscan and pre-Columbian architectural languages, and from his obsession in collecting photos...

MYDNA is a chic and contemporary storage system inspired by the DNA concept: both by its sophisticated double helix shape, and by the metaphorical statement that everything you place...

Shelf Acier red in lacquered finish, French manufacture, uncolored varnish. Solid steel handcrafted. Red lacquered: L 40 x D30 x H 190cm, price: € 2900...

An Unusual Antique French Louis XVI Gilt Bronze Mounted Red Lacquer Chinoiserie Commode. This antique French Louis XVI gilt bronze mounted red lacquer chinoiserie commode is decorat...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A refinished Maddox Red Mahogany Chippendale Block front, Slant Front Secratary Desk with Key. Desk door locks, along with the three lower drawers. ...

This is a tall, lacquered wood Olinto cabinet with glass doors, designed in the 1970s by Japanese architect Kazuhide Takahama for B&B Italia. Takahama's collection featured a series ...

Organize trolley - Vintage - decoration Measures : 42,5x41cm H:75,5cm Elegant red sideboard designed by Giovanni Pelis for Superstile Neolt in 1960. This functional and refined piec...

The RED Bookcase by REJO studio transcends mere functionality, becoming a distinctive element within any personal library. Crafted from premium ash wood veneer, open pore lacquered i...

Booky 4 Flame Red Bookcase by Giò Colonna Romano Dimensions: D 40 x W 184 x H 70 cm. Materials: Polyethylene. Weight: 40 kg. Available in different color options. Prices may vary. T...

The steel slimline 'A' clothes rail is one of &New's signature pieces. A stunning addition to any bedroom or hallway, the minimal design looks delicate but is surprisingly robust...

A sculptural piece of functional decor, this wardrobe boasts the dynamism and elegance typical of Karim Rashid's design. Frame, shelves, and doors are made of red-lacquered MDF, boas...

A Chinese Qing dynasty period red lacquered blanket chest from the 19th century, with iron hardware. This exquisite Chinese Qing dynasty period blanket chest, dating back to the 19th...

There is a strong connection between Capellini and the art world, as confirmed by the presence of the Homage to Mondrian cabinet in the catalogue. This design, by Shiro Kuramata, is ...