19th Century Satinwood Rosewood Ebony Colonial Chest

An English semi-elliptical, or demilune (half moon), inlaid satinwood commode of neoclassical form. Of very good rich color and patination. The marquetry in kingwood, tulipwood, burr veneers and harewood. The fine quality top inlaid with a large conch shell, with radiating trailing marquetry of bell-flower ribands, within a Vitruvian scroll border. This inlaid commode (or chest) contains three hinged cupboard doors each centred by oval panels inlaid with two-handled classical urns with drapery and flambeaux, on plinths set with burr veneers. The central cupboard revealing a bank of three oak-lined fitted drawers. The flanking cupboards with shelves. Raised on short square tapering legs and spade feet. 19th century, with 18th-century elements. All in excellent condition and of superb quality. Satinwood and marquetry commodes of this design reflect some of the highest achievements in English cabinet-making. Sometimes these antique commodes reveal the hand of two different master cabinet-makers, with tops differing from the bases. References: For a comparison see A. Hepplewhite and Co., Cabinet Maker, 'The Cabinet - Maker and Upholsterer's Guide' (1788) plate 78: ''Design for a Commode, enriched with painted or inlaid work adapted for a drawing room, within are shelves which answer the use of a closet or cupboard - may have one principal door in the front, or one at each end; are made of various shapes; and being used in principal rooms, require considerable elegance. The panels may be of satin wood, plain or inlaid; the top, and also the border round the front, should be inlaid.'' A fine George III satinwood and marquetry demilune commode attributed to Thomas Chippendale sold for £134,500 in Bonhams 'Fine English Furniture & Works of Art Sale', 19 Nov 2014. A related pair of satinwood commodes are in the Royal collection, made in 1781 for George IV when he was Prince of Wales. XQC 1988, 95, & XQC 2004, GIII, 284. See also Robert Adam, and Ince & Mayhew designs for similar satinwood marquetry commodes of the late 18th century. Vis. John Fowler...

An English early-18th century oak geometrically-panelled chest on chest ca 1710-1720. Queen Anne / George I period. NB. This is an interesting example of a transition from the late ...

An English oak and walnut chest of drawers. Charles II period (1630-1685). The drawer fronts with walnut inserts of super colour. The substantial moulded top has cleated ends. Conta...

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A George III period mahogany bachelor's chest with caddy top, circa 1780. With four graduated cockbeaded drawers and a pull-out slide. Retaining its original brass swan-neck handles, locks and key escutcheons. This very useful Georgian bachelor (or bachelor's) chest was designed with a pull-out slide for ironing and folding clothes...

This exceptional 17th-century chest / cabinet has one long working drawer, and one deep drawer, with cupboards retaining internal shelving below. All faced with elaborate, mitred, geometric mouldings, applied split balusters, carved corbels, roundels and engraved mother-of-pearl and bone panels. Some panels apparently in ebony. Dentil cornice to the frieze. Bun feet replaced following the original design. Great colour, old surfaces and overall condition is excellent. It conveniently divides into two sections. Circa 1660. Provenance: Lisgoole Abbey, N. Ireland. Literature: R. W. Symonds, 'The Present State of Old English Furniture', Duckworth, London (1921) fig. 7, dated 1673. Vis a very similar 17th c chest. Percy Macquoid RI, 'A History Of English Furniture - The Age Of Oak', Lawrence & Bullen, London (1904-08) p. 76, figs. 140 & 141, for two similar chests of ''well considered proportions and details’’. Figs. 203 - 210 exhibit further similarities in design, and MacQuoid states that “the fashion for these chests must have been great, as many varieties of them… followed rapidly upon one another in date” [sic] pp. 97-99. Viz p. 77, fig. 141 (Oak chest with drawers). The top opens in a long drawer, below is a very deep drawer, panelled in strong projection, the bevels of which are of so-called zebra or snake-wood. The lower portion of the chest, opening in two doors... [sic]. Nb. The chest illustrated in Macquoid is of oak, but in 1680 it was probably to match some other furniture, painted black and lacquered in what was then termed ''The Indian Taste'', so very fashionable for a time. The bone and pearl inlay is very cleverly imitated in the lacquer-work. Ralph Edwards CBE FSA, 'The Shorter Dictionary of English Furniture', Hamlyn, London (Fourth Impression 1972) “The next stage in the evolution (of the chest) was delayed until c. 1650, when a hybrid form, half cabinet and half chest...

A stately Dutch Colonial chest in East Indian Satinwood, with hand turned legs, ebony trim, inlay, and brass accents and highly crafted marquetry in the lower section of the chest an...

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Incredible color and size on this 19th century Regency ebony inlaid fiddleback mahogany 3 drawer chest. At 32.5" high and 30" wide, this piece ...

Early 19th century Regency demilune satinwood commode. The top and bow-fronted doors cross-banded with burr walnut and inlaid with fruitwood. Containing one interior shelf and termin...