An Exceptional French Ormolu and Vernis Martin Kingwood Commode, Attr. to Dasson

French Ormolu and Vernis Martin Vitrine, French, late 19th or early 20th century. An exceptional quality vitrine, in the Louis XVI-style with jewel quality ormolu bronze mounts wit...

A Monumental and Exceptional French Ormolu and Turquoise Sevres Porcelain Clock, circa 1875 Immerse yourself in the splendor of 19th-century French artistry with this monumental and...

An Exceptional French Japonisme Ormolu and Champlevé Enamel Five-Piece Clock Set, In the Manner of Edouard Lièvre, circa 1870, Paris. This extraordinary French Japonisme clock set, ...

Illuminating Heritage: An Important "Exhibition" Suite of Four Ferdinand Barbedienne and Louis-Constant Sevin Champlevé Enamel and Ormolu Eight-Light Candelabra/Lamps This monumenta...

A fine Louis XVI style gilt bronze mounted mahogany commode, in the manner of Martin Carlin, attributed to Henry Dasson. The lockplate signed to the reverse 'Duvivier, Paris'. The design for this elegant commode is taken from the celebrated lacquer model by Martin Carlin delivered in 1785 to Madame Victoire, daughter of Louis XV, for her use in the 'grand cabinet' at the Château de Bellevue and today in the collections of the Louvre (OA 5498). This commode with its Fine gilt bronze mounts and superb quality of construction was undoubtedly made in one of the leading Parisian workshops towards the end of the 19th century. .A popular model versions were made by many of the most important haute luxe...

A stunning and extremely high quality French 19th century Louis XVI st. mahogany, tulipwood, rosewood, ormolu, and Rouge Griotte marble commode, attributed to Henry Dasson. The three...

An exceptional late 19th century gilt bronze-mounted Louis XVI style commode. By Henry Dasson A marble top above a frieze set with three drawers with pierced laurel decoration, over three garland-hung cupboard doors each with shelves, the sides similarly decorated, on toupie feet. Signed Henry Dasson 1879 to the bronze mount on the side and stamped Henry Dasson 1879 twice to the back of the carcass. After the very famous 18th century model by Martin Carlin. Henry Dasson was considered one of the finest makers of gilt bronze-mounted furniture in the 19th century. He established a workshop at 106 rue Vieille-du-Temple, Paris, and specialised in the production of Louis XIV, Louis XV and Louis XVI style furniture using the very finest ormolu mounts with the highest quality mercury gilding. In 1871, Dasson purchase Charles-Guillaume Winckelsen business and remaining stock. Dasson exhibited at the 1878 and 1889 Paris Exhibition. He displayed Louis XV and XVI styles as well as pieces of his own modified eighteenth century design. The exhibits in 1878 included a table entirely in gilt bronze, purchased by Lord Dudley. Martin Carlin (ca 1730 – 1785) was a Parisian ébéniste, born at Freiburg, who was received master at Paris in 1766. Carlin worked at first in the shop of Jean-François Oeben, whose sister he married. He set up independently in the Faubourg Saint-Antoine, an unfashionable quarter of Paris, where few of his wealthy clientele would have penetrated. Carlin sold his works exclusively to marchands-merciers such as Simon-Philippe Poirier and his partner Dominique Daguerre, who acted as decorator-designers. It was only through these entrepreneurs that Carlin could acquire the Sèvres Porcelain plaques that decorate many of his pieces. His earliest such pieces are datable by the marks on their porcelain to 1766; they followed designs supplied by the dealer Poirier. Although Martin Carlin made some larger pieces— secrétaires à abattant (drop-front secretary desks), tables, and commodes— he is best known for refined small furnishings...

A very fine French 19th century Louis XV style ormolu mounted plum pudding mahogany veneer, mahogany and Vernis Martin decorated vitrine à Deux Corps, probably by François Linke (1855-1946). The lower structure fitted with finely chased gilt-bronze mounts with female masks, musical instruments, floral drapes, bows and acanthus, centred with a frieze drawer and a cupboard door with three painted panels. The centre front painted panel with a Romantic courting park setting scene amongst sheep and a sculpture fountain of Putti; the side panels both with parks scenes of a resting lion sculpture and fountain flanked by grassing sheep. The lower cabinet interior with three drawers, the upper vitrine case with two glass shelves, a bowed beveled front door and sides, crowned with a fine gilt-bronze wreath mount with ribbons, all raised on four cabriolet legs with cast lion paw mounts. Unsigned, Paris, circa 1890-1900. The style of this cabinet is closely related to those produced in the Paris furniture making trade in the Faubourg Saint-Antoine in the 1880s and as such, without a signature or identifying mark, is unattributable. However, there are similarities with the firm Raoux et Brunet, some of whose mounts were designed by Léon Messagé and later used by François Linke. Indeed many of the mounts on this cabinet, whilst not exclusive to him, are very similar to the work produced in his early years in Paris in the 1880s. At this time Linke was making furniture to order...