Nouveau Collection / LCI4 Commode from Stained Pine Wood

Delicate, soft-touch matte furniture collection — inspired by the Art Nouveau aesthetics. Nouveau draws from the work of Art Nouveau artists such as František Bílek. Paying homage to...

Delicate, soft-touch matte furniture collection — inspired by the Art Nouveau aesthetics. Nouveau draws from the work of Art Nouveau artists such as František Bílek. Paying homage to...

Delicate, soft-touch matte furniture collection — inspired by the Art Nouveau aesthetics. Nouveau draws from the work of Art Nouveau artists such as František Bílek. Paying homage to...

Delicate, soft-touch matte furniture collection — inspired by the Art Nouveau aesthetics. Nouveau draws from the work of Art Nouveau artists such as František Bílek. Paying homage to...

Delicate, soft-touch matte furniture collection — inspired by the Art Nouveau aesthetics. Nouveau draws from the work of Art Nouveau artists such as František Bílek. Paying homage to...

Delicate, soft-touch matte furniture collection — inspired by the Art Nouveau aesthetics. Nouveau draws from the work of Art Nouveau artists such as František Bílek. Paying homage to...

Early 20th-Century Art Nouveau Pine Commode Turned into Vanity We present you an Art Nouveau pine commode, circa 1910. The whole piece of furniture is composed of a base with four d...

A very impressive Italian 18th century four drawer walnut and stained pine Baroque commode. The commode is raised by four scalloped shaped carved feet with a scrolling foliate design...

A reclaimed pine commode constructed with tongue and groove joinery. This beautifully crafted piece has a natural aged pine finish with slight white accents. With four serpentine dra...

This circa 1910 Art Nouveau style mahogany side cabinet / commode was found in France. The cabinet has four front legs and two back legs. Front, top and sides have decorative inlay a...

A French Art Nouveau marquetry commode by Émile Gallé. With original key. Circa 1890. The syncretic influence of Japanese art is keenly felt in Gallé's commode. The beginning of Galle's fascination with Japanese art can be traced back to his friendship with Hokkai Takashima (1850-1931), a fellow botanist and member of the École de Nancy. Their botanical dialogue was facilitated by the Shokobutsu mei-i, a book of Japanese names for botanical species. It is from Hokkai that Gallé gained a spiritual and symbolic understanding of nature. Along with other École de Nancy artists, Hokkai and Gallé exhibited together in the display window of René Wiener's papeterie. The store served as the office of Wiener's arts journal, the Nancy artiste, which regularly featured on its covers contemporary examples of Gansai (Japanese watercolor), Byōbu (folding screens) from the Rinpa school, Sumi-e (ink painting), and Ukiyo-e (woodblock prints). As a show of gratitude, Hokkai bequeathed a vast art book collection to Wiener. It is from this record that we know with certainty of which Japanese artists Gallé had knowledge. One of the books in Hokkai's collection was Hokusai's Les cent paysages du Fuji (Fugaku hyakkei.) This 1835 expansion of Hokusai's 36 views of Mount Fuji...

Unusual 19th C Austrian painted pine 4 drawer commode. 1860. Dimensions 50 inches (127 cms) Wide 24 inches (61 cms) Deep 31.5 inches (80 cms...