Rare Arbalete Commode by Francois Garnier

A Danish 18th century commode in the arbalete form. This piece is soundly constructed in painted wood. The patina and painted finished are wonderful. Wh...

Louis XV period kingwood and marquetry commode inlaid with flowers and with panels of burl walnut with original handles and on splayed feet

A stunning and impressive 18th century period French Louis XV commode de chateau handcrafted in walnut by skilled artisans of the Lyon region. The front facade having an arbalete or ...

A Louis XV style gilt bronze mounted marquetry commode with marble top, possibly by François Linke. French, circa 1900. Stamped 'Mon LEGER' to the back of the commode for the retailer Émile Léger...

A Fantastic Late 19th/Early 20th Century Louis XV Style Gilt Bronze Mounted Commode By François Linke François Linke – Index no. 599 Brèche d’ Alep marble top above one long bronze mounted drawer, the center two drawers bronze mounted with floral wreath and bird, the base mounted with a tambourine and flowing curtains. Signed F. Linke to the right-hand chute, locked stamped Ct. Linke and the number 599. Pictured on Page 493 and Daybook Entry on Page 477 in “François Linke 1855-1946 The Belle Epoque of French Furniture” By Christopher Payne. Designed in 1900, this model commode was conceived en suite with a dressing table, index number 600, and a double bed, number 601. Although clearly started in 1899, a note in the Blue Daybook shows that the ciseleur enriched the chasing on the bronzes much later, in September 1902, and with a fleur de pêcher marble top costing 110 francs. Whereas two of the matching beds and dressing tables were made, Linke made five versions of this commode between 1899 and 1910, with one example made for the compagnie nationale de Buenos-Aires in 1908. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A Fine Louis XVI Style gilt bronze Mounted Commode after a Model by Jean-François Leleu. French, circa 1870. This important commode has a moulded rectangular Brocatelle Violette du Jura marble top above a frieze drawer with a pierced foliate cast panel, above two panelled long drawers quarter-veneered sans travers. The fluted angles of the commode are headed by scrolled acanthus cast clasps and it is raised on turned tapering legs with toupie feet. The commode is based on the celebrated 18th century model, by Jean-François Leleu (1729-1807), now conserved at the Petit Trianon at Versailles. It was placed there in 1867 following an exhibition organised at the request of Empress Eugénie in memory of Queen Marie-Antoinette. The commode was further exhibited in Paris in the retrospective part of the Exposition de l' Union centrale des arts décoratifs in 1882. Literature: Exposition de l' Union centrale des arts décoratifs, (Paris), 1882. De Champeau & Others. Les arts du bois, pub. Quantin, 1883; p. 80. P. Arizzoli-Clementel. Versailles Furniture...

Fine quality french ormolu-mounted marble top commode with rare diamond-shaped parquetry veneers Two door cupboard bombe front with gilt bronze mounts, cabriole capped feet. The d...

An important Louis XVI style gilt bronze-mounted commode, after the model by Jean-Francois Leleu by François Linke. French, circa 1910. Linke index number: 1127. Linke title: 'Commode Louis XVI, Bois d'amarante et de rose.' Signed ‘Linke’ to the right-hand side chute. This distinguished commode is quarter veneered in mahogany with bois de violette banding and boxwood stringing. It is furnished with finely cast gilt-bronze mounts and surmounted by a brèche violette marble top. It appears that Linke bought the rights to make this commode from the Vente Cueunières in 1902, although there is no trace of it being made by him until the summer of 1908 and there is no entry in the Blue Daybooks for this model. The green registres have two pages devoted to the making of the commodes, the first at a cost of 1,540 and 40 centimes, with eight more made in the intervening years, the last, a pair, in 1927 with the cost price escalating to 8,529 francs. The registre is not entirely clear, but it appears that Clément Linke, father and son, made the locks for this model. The cabinetmaking was exclusively by Guntren who took 496 hours per commode, paid 85 centimes in 1908 rising to 5 francs 75 cents for the last pair. Linke priced this commode at 3,000 French francs, noting in his book 'original est de Leleu est à Trianon.' The original commode by Leleu, on loan from the Petit Trianon, is shown in a line engraving in the retrospective part of the Exposition de l' Union Centrale des Arts Décoratifs, Paris, 1882, De Champeau & Others, 'Les arts du bois,' pub. Quantin, 1883, p. 80. The commode entered the Petit Trianon in 1867 on the occasion of an earlier exhibition dedicated to the memory of Marie-Antoinette, organised under the patronage of the Empress Eugénie. Jean-François Leleu A pupil and later collaborator with Jean-François Oeben, Jean-François Leleu became maître on the latter’s death in 1763. His work can be divided into two concurrent but distinct styles: the first owing more to the legacy of Oeben, being of large, solid forms, more noble in style; the second, although retaining the clean, definite lines of the first, being an exercise in elegance and understatement. It is this second style for which Leleu is chiefly remembered and which the present commode, with its lightly bombé form and restrained frieze mounts, is a principal example. Literature: Payne, Christopher. François Linke, 1855-1946, The Belle Epoque of French Furniture, (woodbridge, UK), 2003; p. 502, for the black and white cliché of index number 1127 Meyer, Jonathan. Great Exhibitions, Antique Collectors club, (Woodbridge, UK), 2006; p. 298 - 300. Pradère, Alexandre. French Furniture Makers; p. 340, fig. 398; and P. Arizzoli-Clementel. Versailles Furniture...

A Very Fine Louis XVI Style Gilt-Bronze Mounted Marquetry Commode after a model by Jean Henri Riesener, By François Linke. Linke Index No. 10. Signed ‘F. Linke’ and the lock-plate ...

Pair of French Ormolu Mounted Chinoiserie Red Lacquer Commodes with marble tops, after François Boucher. Decorated with richly detailed Chinoiserie scenes after designs by François Boucher, this pair of French lacquered commodes...