Antique George II Mahogany Chest on Chest

This is beautifully crafted antique George III flame mahogany serpentine fronted chest of drawers, circa 1780 in date. The curvaceous serpentine chest is made from the finest quality flame mahogany. The top features a moulded edge, it has four long graduated drawers above a shaped apron and it is raised on splayed bracket feet. Fitted with decorative brass handles and with working locks and key. This piece is truly unique and is guaranteed to bring beauty and charm to your home for many years to come. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 98 x width 117 x depth 62 Dimensions in inches: Height 38.6 x width 46.1 x depth 24.4 Flame Mahogany Thomas Sheraton - 18th century Furniture designer, once characterized mahogany as "best suited to furniture where strength is demanded as well as a wood that works...

A fine antique well proportioned flame mahogany George IV Wellington chest, in the manner of Gillows, Circa 1830 in date. With fabulous original colour, original handles, ash and ce...

This is beautifully crafted antique George III painted mahogany chest of drawers, in the Sheraton manne, and circa 1780 in date. The top features a painted musical trophy in the centre with chequer banding. The two half width and the three graduated full width drawers are all decorated with paintedmusical motifs, cherubs and further chequer banding, and fitted with oval brass swing handles. The chest is raised on elegant ogee bracket feet. Fitted with decorative brass handles and with working locks and key. This piece is truly unique and is guaranteed to bring beauty and charm to your home for many years to come. THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION. Condition: In excellent condition having been beautifully cleaned, polished and waxed in our workshops, please see photos for confirmation. Dimensions in cm: Height 106 x Width 110 x Depth 52 Dimensions in inches: Height 3 foot, 6 inches x Width 3 foot, 7 inches x Depth 1 foot, 8 inches Thomas Sheraton (1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design. Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho. Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion. In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding. Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates. Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood...

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