1957 Credenza by René Jean Caillette

Model “SYLVIE“ designed in 1961 in Rio rosewood Charron editor.    

Brutalist credenza by Jean Batenburg for MI 1970, Belgium

The Sculptra collection, introduced in 1957 as part of the Broyhill Premier line, was developed to reflect the shifting tastes of the 1950s toward sophisticated, modern styling with ...

Inclined Shelf in Oak by René Jean Caillette, 1950 Light oak, sloping design and very good state of preservation. René-Jean Caillette (1919 - 2005) studied at the Ecole Supérieure ...

René-Jean Caillette Oak Trolley, France - 1950s

The Sculptra collection, introduced in 1957 as part of the Broyhill Premier line, was developed to reflect the shifting tastes of the 1950s toward sophisticated, modern styling with ...

A truly spectacular and very rare sideboard was designed and handcrafted by French designer Jean-Claude Mahey for Roche Bobois, 1978. This features brass detailing around the drawers, doors, base and top adds glamour throughout. Consists of two center doors which open to shelved storage and two upper drawers. Two cocktail compartment doors on either side that swing open in the most surprising unusual and artistic way. The piece has been professionally re-finished by our restoration team in high gloss mirroring...

Available today, this Mid-Century Modern Credenza in Hardwood with Brass finishes designed by Jean Gillon in the sixties in Brazil is the FIND of the year. The credenza has a rectangular structure made of Brazilian Rosewood, known as Jacaranda, with two main legs and two support legs on each side. It has five large drawers and four doors with shelves inside. The brass finishes are located in the joints, fringes and keys. There are few reasons why this credenza is one-of-a-kind: First, the high end wood work. This piece was commissioned for a private residence in Sao Paulo and it shows. The joints, the wood carving, the smooth curves in the drawers, even the hidden toothpick support legs are superbly finished. Second, the rosewood is of the finest quality which can be seen in the wood veins, the grain and smoothness of the wood. Lastly, design. This piece has all the components of a true Brazilian Modern piece with straight almost brutalist silhouettes softened with smooth curves (seen in the drawers and edges) that resemble Modernist architecture from Brasilia of the sixties. Owning a Jean Gillon piece like this is not just about acquiring a beautiful piece of furniture; it's also about possessing a part of Brazilian design history and culture. This credenza is a testament to Jean Gillon’s creativity and vision, and it would make an excellent addition to any interior space that values and appreciates the significance of this design. The credenza is showcased in our showroom next to Jorge Zalszupin’s bar cart...

Martin Eisler. Credenza. c. 1955. Caviuna and cane.

A teak credenza with tambour doors on a low dowel leg base.