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Antique Victorian Burr Walnut Credenza 1860s
About the Item
A superb antique Victorian burr walnut credenza, Circa 1860 in date.
Displaying sophistication and charm, this credenza is the absolute epitome of Victorian high society. Its attention to detail and lavish decoration are certain to draw the eye wherever you choose to place it in your home.
The entire piece highlights the unique and truly exceptional pattern of the burr walnut grain extremely well.
This credenza is breakfronted with an elegant central panelled door and glazed doors on either side, which open to reveal a velvet lined interiors with a shelf and plenty of room to house your drinks, glasses, crockery, etc..
It has beautiful and intricate inlaid decoration on a burr walnut ground with exquisite and decorative ormolu mounts,
Complete with working locks and key.
Condition:
In excellent condition having been beautifully restored, and the interior relined, in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 102 cm x Width 167 cm x Depth 36 cm
Dimensions in inches:
Height 3 foot, 4 inches x Width 5 foot, 6 inches x Depth 1 foot, 2 inches
Burr Walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find.
Ormolu (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'.
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object.
Our reference: A3163
About the Seller
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Associations
LAPADA - The Association of Arts & Antiques Dealers
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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Condition:
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Dimensions in cm:
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Dimensions in inches:
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In 1805 Baldock's name first appears as the freehold owner of 7 Hanway Street, London. Over the years he expanded his premises. By 1840 his property in this street comprised nos 1 and 2, both with back premises, and in addition he owned a yard and no. 3, which he let. It was in 1 and 2 Hanway Street that he carried on business up to 1843 when he retired, selling his stock and moving to a fashionable residential address, Hyde Park Place. According to one 19th-century source, the business was taken over by Frederick Litchfield's father. He was buried in St Pancras Church, Euston, where he is commemorated by a marble memorial tablet on the north wall, dedicated jointly to him and Mary Frances Westoby.
In 1805 he described himself as dealer in china and glass. By 1821 he was styled in the Post Office Directories as antique furniture and ornamental china dealer, and in 1826 he described his activities in a bill heading as ‘buying, selling, exchanging and valuing China, Cabinets, Screens, Bronzes etc.’. Though Baldock's business consisted primarily in dealing in antique porcelain and furniture — largely foreign — he repaired, remodelled and altered existing furniture. He also produced designs for new pieces and had them made.
In 1836 Baldock sold French eighteenth-century furniture to Lady Stafford (Countess of Sutherland) for Dunrobin Castle, and in 1842 Scotland’s leading country house architect, William Burns, recommended to his patron O. Tyndall Bruce of Falkland House that ‘for Cabinets and China, do not omit going to Baldock’s Hanway Street, Oxford Street… which is the first place in London’.
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