German Provincial Louis XVI Style Sideboard made of Oak

Provincial classicist Louis XVI chest of drawers. Aachen/Liège, late 18th century. Solid oak, florally and ornamentally carved. Traditionally crafted in the gallery construction met...

A provincial classicist Louis XVI chest of drawers. West German, around 1800. Made of solid oak with original patina. Traditionally cased oak body with three large drawers under a s...

Vintage Brutalist sideboard from the middle of the 20th century. Made from solid oak. Restored ready for everyday use. In the style of the former Belgian furniture manufacturer De P...

A 19th Century French provincial sideboard or buffet in Louis XV style. Made of solid oak. Traditionally crafted oak body with 2 doors, 3 drawers and a slightly protruding moulded ...

A charming vintage 18th century Louis XV style paint-decorated solid wood country French enfilade. Born in France in the Mid-20th Century, featuring quality solid wood constructio...

This large sideboard is made of solid French Oak and typical of the Louis Philippe Style in the mid 19th century in France caracterized by its curved moldings, hand-curved feet, etc....

A French Louis XVI Style Sideboard in Maison Jansen Fashion. This stunning bronze mounted credenza, sideboard sports a fine Breche marble top and bronze trim throughout. The case hav...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...