Italian Credenzas
Color: Yellow
Place of Origin: Italian
Italy Mid-19th Century Yellow Wood Buffet with Yellow Glass Shelves
Located in Brescia, IT
Italy Mid-19th Century yellow lacquered wood and glass shelves buffet in farmhouse style
This cheerful yellow wood lacquered buffet is composed by two part: the mid-19th Century pine wood buffet, that it is currently hand-lacquered in yellow color and the contemporary metal chrome étagère that it need to be fixed directly to the wall. The yellow back lacquered glass shelves are a contemporary production. The wood shelve...
Category
Mid-19th Century French Provincial Antique Italian Credenzas
Materials
Metal
Louis XVI Chest of Drawers in Rosewood with Siena Yellow Marble
Located in Prato, IT
Tuscany, Louis XVI, end of the 18th century
Rosewood veneer with fruit wood fillets
Good conditions
Marble with Carrara base veneered with Giallo di Siena from a later period
Dim...
Category
Late 18th Century Louis XVI Antique Italian Credenzas
Materials
Carrara Marble, Siena Marble
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Vintage Boby 3 trolley in honey yellow by Joe Colombo for Bieffeplast, circa 1969. The iconic Boby 3 portable torage system by Italian manufacturer Bieffeplast makes savvy use of space with its swivel design. This compact caddy is featured in the collection of the Museum of Modern Art in New York, but it’s right at home in domestic settings, offering ample storage with swing-out drawer trays provide and cubby holes for taller items. The trolley measures 17"W x 17"D x 29"H and sits on 3 rolling casters. The unit is in good overall condition with no cracks or chips. There is a minimal amount of fading and some scuff marks comensurate with the age and use (please see pictures). Wonderful functional mid-century piece signed by Joe Colombo. #1240
Born in Milan in 1930, designer Cesare Colombo—who went by Joe—was the second of three brothers. His father, Giuseppe, was an industrialist who inherited a ribbon factory and turned it into an electrical conductor manufacturer. Colombo came to design relatively late, having spent most of his twenties pursuing painting and sculpture. He studied at the Accademia di Belle Arti in Brera, Milan, in the early 1950s. While there, he joined the Movimento Nucleare, an avant-garde art movement founded by Enrico Baj and Sergio Dangelo in 1951. Spurred on by international anxiety surrounding the nuclear bomb, this group of painters aimed to break free of the static boundaries of traditional painting.
In 1953, Colombo made his first foray into design by creating a decorative ceiling for a Milan jazz club. In 1954, he made a series of television shrines for the Milan Trienniale. Inspired by these experiences, Colombo enrolled as an architecture student at Milan Polytechnic. When his father became ill in 1958, Colombo abandoned painting altogether; he and his younger brother, Gianni, took over the family business, using the factory as an experimental space for the latest production techniques and materials, including fiberglass, PVC, and polyethylene.
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