"Shigeto" Brown Sidebord by Vico Magistretti for DePadova

Cassina walnut chair Mod. 122 by Vico Magistretti Italy 60s (six available) The Model 122 chairs are a creation of the famous Italian designer Vico Ma...

Afra and Tobia Scarpa "Artona" Rosewood and glass Cabinet for Maxalto, circa 1975. TWO MORE PIECES AVAILABLE. This cabinet was designed during the first period of the Artona collec...

Pair of Italian cabinets or bookcase, natural cherrywood with black details. These pieces can be put in the center of a room as they are both double sides. One is completely resto...

"Dialogo" brown fiberglass and pale wood chair by Tobia Scarpa for B&B, Italy 70s The ‘Dialogo’ chair was designed by Afra and Tobia Scarpa in the 1970s and convinces with its tw...

Maurice Barilone rust-brown Neolitico Console for Reflex The Neolitico Console generates a contemporary look. The curved rust-brown base supports a 15mm thick glass top and comple...

Afra and Tobia Scarpa mod. "920" brown leather two-seats sofa manufactured by Cassina, Italy '60. Vintage condition. References: G. Gramigna, Repertorio del design italiano 1950-2...

This set is composed by one chest of drawers and one cabinet. They were designed by Vico Magistretti and produced by Poggi, circa 1970. They can be used as a separate units or as a u...

Chest of drawers model CS49 with four frontal drawers and four doors revealing inner shelves with structure in black lacquered wood and top upholstered with black skai or faux leather. Designed by Vico Magistretti and produced by Poggi in 1970s Ludovico Magistretti was born in Milan on 6 October 1920. He went to Parini High School and in autumn 1939 enrolled in the Faculty of Architecture at the Royal Polytechnic in Milan. After 8 September 1943, to avoid being deported to Germany, he left Italy during his military service and moved to Switzerland, where he took some academic courses at the Champ Universitaire Italien in Lausanne, taught at the local university. During his stay in the Swiss city he met Ernesto Nathan Rogers, the founder of the BBPR firm who had taken refuge in Switzerland after racist laws were passed in Italy. This was a key encounter in Magistretti’s intellectual and professional development, since the architect from Trieste turned out to be his maestro. He returned to Milan in 1945, where he graduated in Architecture at the Polytechnic on 2 August. He then immediately began his career working with the architect Paolo Chessa at the firm owned and run by his father, who died prematurely that same year. Here, in his father’s small firm, he spent his entire career in partnership with Franco Montella. During reconstruction operations in Milan from 1949-59, Magistretti designed and constructed about 14 projects for INA-Casa in conjunction with other architects. He was involved with Mario Tedeschi in the joint project for the QT8 neighbourhood, designing houses for veterans from the African campaign and also Santa Maria Nascente Church. In 1946 he participated in the R.I.M.A. exhibition (Italian Assembly for Furniture Exhibitions), held at the Palazzo dell’Arte, designing some small almost self-made pieces of furniture and then, in 1947 and 1948, he took part together with Castiglioni, Zanuso, Gardella, Albini and others in the exhibitions organized by Fede Cheti, a furniture fabric maker, held at her own workshop. The young architect was involved in plenty of activities and came up with lots of new ideas and proposals in the 1950s. Over the following years he also designed a number of other important projects, including the Towers in piazzale Aquileia (1961-64), Bassetti House in Azzate (1960-62), Cassina House in Carimate (1964-65), and the house in via Conservatorio in Milan (1963-66). In 1956 he was one of the founding members of the ADI, Industrial Design Association, and during the same year he was a member of the panel of judges for the Golden Compass Award for the first time. His work as an architect was almost totally focused on the issue of housing and living from the 1960s onwards, as he developed his own extremely expressive idiom, which, even though it was heavily criticised at times, made a real impression on the architectural scene in Lombardy during that period, making him one of its leading figures. This is the context in which he took part in the CIAM Congress (International Modern Architecture Congress) held in Otterlo in the Netherlands in 1959, during which the Italians presented Velasca Tower designed by the BBPR, the Olivetti canteen designed by Ignazio Gardella, Arosio house designed by Vico Magistretti (1956-59), and the houses in Matera designed by Giancarlo De Carli...

Wooden structure painted in white polyurethane color. Black skai cover on the top (light defects at some corner). Large chest of drawers: cm 34,5h x 107w x 53,5d Small chest of dra...

Italian Wengé cabinet Micene by F. Meccani for Meccani Arredamenti, 1978. solid wengé cabinet Micene with eight doors and eight shelves, one drawer, inlaid with mother of pearl. ...

Limited Edition "Forest" Cabinet by Pedro Sousa for Boca Do Lobo, Portugal, 2009. This exotic cabinet was inspired by nature with the artist's intention...

Wall cupboard designed by Lars Larsson and Stig Lönngren for HI-Gruppen, Sweden, 1960s. Lacquered birch plywood and mirrored glass. Possibly unique. Stig Lönngren (1924-2022) rece...