An Art Deco Desk Designed by Betty Joel

Art Deco Dressing Mirror by Betty Joel. Geometric shaped solid walnut frame with the mirror in good condition also with shaped top. Dimensions: H 79cm W...

An Art Deco Flame Mahogany Desk. Five pull out drawers with an open bookshelf to side. Original brass handles and stretcher. Wear consistant with age. Dimensions: H 76cm W 120cm D 6...

Inséparables, an Art Deco glass clock by Rene Lalique (1860-1945). Moulded in relief with two pairs of opalescent blue lovebirds seated on prunus blossom. Hand painted enamel clock f...

An Art Deco cream earthenware vase. Designed by K.Murray for Wedgwood. Stamped to base. Origin: English Date: Circa 1935

A fine Art Deco Ambassador desk Designed by De Coene Frères. A partner desk with bowed front and back Black lacquer with nickeled bronze details, pull...

Art Deco desk, made of maple veneered wood with inlays, keyholes and ivory strips. By NORDISKA KOMPANIET S:A (1920-1970). Signed by NORDISKA KOMPANIET S,A., BS AIRES, Florida 101. A...

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...

An Art Deco small desk. Amboyna with inlaid details, red bakelite and brass pulls. Desk features four drawers a storage cabinet and an additional storage area underneath a lift u...