Black 'Hadi' Desk by Ernest Igl

Pierre Chapo; B40 desk; Elm; France; 1970s; Mid-Century Modern, Rustic; Postmodern; Cabinets; Black ash; Exceptional B40 desk by Pierre Chapo crafted from solid elmwood in black ash. This piece dates back to the 1970s and adds a vintage touch to your workspace. The carved tabletop...

Elissa Lacoste's 'I Dream of Megalithic Times' series: lithic desk and desk chair. Composed of various speleothem-like shapes emerging from silicon...

Charles Dudouyt oak desk with double base, made in the 1940s in France. The sturdy oak construction, adorned with front panels and a raised round inlaid top with a captivating parque...

Modernist Desk; Frits Spanjaard; The Netherlands; Holland; circa 1930; Hendirk Wouda; Pander; Haagse School; The Hague School; Writing Desk; Wood; Geometric Composition; Frits Spanjaard, influenced by Hendrik Wouda, designed balanced and simple pieces of furniture. His unique abstract style and refined use of composition, set him apart from other rationalist designers from The Hague School. The use of primary colours is a direct reference to De Stijl. Throughout his career Spanjaard, played with the application of colour, searching for contrast and dialogue between shapes. This table, together with the matching chair, are a fine example of this design attitude. It was part of the Exhibition "De Klare Lijn" curated by Boris Devis...

Executive desk designed by Jules Wabbes and manufactured by Mobilier Universel in the 1960s. This exclusive desk bears the hallmark of Jules Wabbes, a celebrated Belgian furniture de...

This desk is a stunning creation by the visionary Italian designer Guido Faleschini for I4 Mariani. Embracing the vibrant spirit and vivid hues of the seventies, this desk encapsulat...

ABOUT A rare Director's Desk by Ernest Igl for Wilhelm Wendl, Germany. The design truly resembles the ethos of the seventies, a bright and bold era. The writing desk feels retro, without clashing with contemporary interiors. Ernest Igl focused on functionality combined with an aesthetically pleasing design for daily use, seen in the playful composition of curved lines and round shapes. The body of the desk is entirely made of molded fiberglass and lacquered in white. The push up writing surface reveals a large storage compartment. A switch inside can lock and unlock the drawers. The top aluminum panel has a clock, large ceramic inset tray, two round ceramic dishes and five ceramic pen holders...

Space Age Ernest Igl for Wilhelm Werndl directors Igl-Jet fiberglass desk, 1970s This design really evokes the ethos of the seventies - a bright and bold era - with the commonly u...

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...

Ernest Race designed Metal Desk for P.W. Cow / Hunting Aviation, United Kingdom 1946. A wonderful piece of British Design History Desk by Ernest Race. The aluminum metal has a pattern to its surface as aircraft panels...

The Ernest C Masi dowel wood desk with a leather top and five drawers is a stunning and practical piece of furniture that will elevate any home or office sp...

Ernest Igl for Wilhelm Werndl, cabinet, fiberglass, Germany, designed in 1970 This design truly resembles the ethos of the seventies – a bright and bold era – featuring the commonl...