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Art Deco 1920s Commode Dresser Mirrored, Solid Walnut, Burl walnut. Wax polished
About the Item
Italian Art Deco 1920s dresser chest of drawers, mirrored, in solid walnut and burl walnut . Sanitized and wax polished
Original handles of the period
Measures cm:
dresser H 100 x W 126 x D 54
mirror H 80 x W 122 x D 4.
- Dimensions:Height: 70.87 in (180 cm)Width: 49.61 in (126 cm)Depth: 21.26 in (54 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1920
- Condition:Wear consistent with age and use.
- Seller Location:Vigonza, IT
- Reference Number:Seller: FH841stDibs: LU249538263343
About the Seller
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1stDibs seller since 2017
298 sales on 1stDibs
Typical response time: 7 hours
- ShippingRetrieving quote...Ships From: Vigonza, Italy
- Return PolicyThis item cannot be returned.
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About Osvaldo Borsani
Osvaldo Borsani (born 1911, Varedo, Italy–died 1985, Milano, Italy) was an Italian designer and architect, born into a family of furniture makers with along and well established artisanal tradition. His father, Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Osvaldo Borsani first studied fine arts at Accademia di Belle Arti di Brera in Milan, graduating in 1931, and then pursued studies in architecture at Politecnico di Milano, where he graduated in 1936.
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Villa Borsani And Other Prominent Architectural Work
In 1937, Osvaldo Borsani designed Villa Presenti in Forte dei Marmi, a sea town in Tuscany where the Italian aristocracy and industrial elite would build their houses, a project that displayed the same rationalistic rigor displayed in Casa Minima, but softened by the use of mediterranean finishes and materials.
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After Villa Borsani, Osvaldo continued to develop many projects for the Milanese bourgeoisie, frequently with many of the same artists whom he employed for his villa. A particularly strong relationship was the one that Osvaldo developed with artist Lucio Fontana, a close friend since the time of the Accademia de Belle Arti di Brera, and whom Borsani assigned to make a large metal balcony for the Tecno company in 1956.
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