Pearwood Dressers
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Material: Pearwood
Paolo Buffa Vintage Pearwood, Glass and Brass Cabinet
By Paolo Buffa
Located in Milano, IT
Charming 5-door vintage pear wood cabinet designed in the 1950s by the great designer Paolo Buffa, fine Italian manufacture.
The cabinet is made entirely...
Category
1950s Italian Mid-Century Modern Vintage Pearwood Dressers
Materials
Brass
Paolo Buffa Vintage Wood and Brass Cabinet
By Paolo Buffa
Located in Milano, IT
Enchanting vintage 6-door wooden cabinet designed in the 1950s by the great designer Paolo Buffa, fine Italian manufacture.
The closet is made entirely in the light-colored fine woo...
Category
1950s Italian Mid-Century Modern Vintage Pearwood Dressers
Materials
Brass
Modern Pearwood Dresser Nightstand
By Ligne Roset
Located in Pasadena, TX
Modern pearwood dresser
Warm pearwood combined with brushed metal pulls compliment this modern piece.
Two drawers. Two available. Measure: 35".
Category
21st Century and Contemporary French Modern Pearwood Dressers
Materials
Aluminum
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Paolo Buffa was the son of artist Giovanni Buffa, long-considered a modern innovator of early 20th century applied arts. The elder Buffa was renowned for his studio works in stained glass, often collaborating with Eugenio Quarti and other important architects.
After graduating in 1927 from Politecnico di Milano, Paolo began training in the studio of Gio Ponti and Emilio Lancia. The following year he opened his own studio with the architect Cassi Ramelli, designing private villas and residential buildings with a strong focus on fine furniture done in the neoclassical style of the Milanese School and its luminaries: Ponti, Lancia, Buzzi, Marellin, and Albini. His designs (which included lighting and textiles) were characterized by perfect execution, for homes of the wealthy middle class with a taste for modern design, that blended functionality and comfort with quality materials. His pieces were primarily executed by the highly skilled artisans of the Mario Quarti studio in Milan, by Serafino Arrighi, and later by the Angelo Marelli workshop.
In 1930 Buffa and Cassi Remelli participated in The International Exhibition of Decorative Arts,which would later become the Triennale di Milano. At this time he also began his first collaboration with Gio Ponti's Domus magazine, to which he would contribute many writings in the years to follow.
The 1933 Triennale, "Mostra dell Arredamento," presented a solo exhibition on Buffa, as well as a group show that featured his textile designs alongside works by Buzzi, Albini, and Pollini in the display hall of the government institution National Crafts and Small Industries (ENAPI).
By the time of his participation in the 1936 VI Triennale, Buffa was considered one of the elite arbiters of modern taste and style. The painter Roberto Aloi, director of “L’Arredamento Modern” (the Hoepli periodic review of modern design) dedicated more space to Buffa in his publication than to any other Italian architect in future editions.
1940 saw an intense collaboration with the acclaimed Mario Quarti furniture studio in Milan, in which Buffa created the furnishings for the Royal Palace of King Zog, in Tirana, Albania. In 1945 Ico Parisi organized the exhibition "Prima Mostra dell Arredamento" in Como. Together he and Buffa designed 12 environments, displayed as real rooms in a home. The following year the show travelled to Milan as “Mostra Mercato per la Reconstruzione” (Exhibition of Reconstruction). In addition to Buffa and Parisi, among the participants were Cassi Ramelli, Gio Ponti, and Guillermo Ulrich, all working under an objective to foster a profound collaboration between architect and expert craftsman.
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