Modernist, Space Age Walnut and Chrome Folding, Revolving Bar by LANE

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Modernist, Space Age Walnut and Chrome Folding, Revolving Bar by LANE

Shop All Lane Furniture

Lane Furniture

When the first iteration of the Lane Furniture company began to produce its now-famous Lane cedar chests in the early 20th century, the family behind the brand was unsure of how successful they’d be, so they initially didn’t bother adding their name to the offerings.

The manufacturer was off to a modest start but the family was industrious: The Lanes were made up of farmers and contractors who’d built more than 30 miles of the Virginian railroad. They owned a cotton mill and purchased thousands of acres of land in Campbell County, Virginia, where the Virginian railroad was intended to cross the main line of the Southern Railway.

The Lanes hoped to start a town in this region of the state, and by 1912, streets for the town of Altavista had been laid out and utility lines were installed. In the spring of that year, John Lane purchased a defunct box factory at a bankruptcy auction. His son, Edward Hudson Lane, was tasked with the manufacturing of the cedar “hope” chests for which the Lane family would become known, even though the company was initially incorporated as the Standard Red Cedar Chest Company.

The Standard Red Cedar Chest Company struggled in its early days but introduced an assembly system at its small factory after securing a contract with the federal government to produce ammunition boxes made of pine during World War I. The company prospered and applied mass-production methods to its cedar-chest manufacturing after the war, and, in 1922, rebranding as the Lane Company, it implemented a national advertising campaign to market its products.

Ads tied the company’s strong cedar hope chests to romance. Anchored by copy that read “The gift that starts the home,” the campaign rendered a Lane cedar chest a necessary purchase for young women to store linens, clothing and keepsakes as they prepared to marry.

Wartime production during World War II had Lane producing aircraft parts. In the 1950s, the family-owned company began to branch out into manufacturing tables, bedroom pieces and other various furnishings for the entire home. Today, the brand’s vintage mid-century furniture — which includes the Perception, Tuxedo and Acclaim collections — is highly sought after.

Designed by Andre Bus, Lane’s Acclaim furniture collection of coffee tables, end tables, dressers and more has been compared to Drexel’s wildly popular Declaration series for its blend of traditional craftsmanship and the impeccably clean contours that are frequently associated with the best of mid-century modern design.

Ads for the Acclaim line suggested that it included “probably the best-selling table in the world.” Before its offerings expanded to include items for the bedroom and dining room, Lane was primarily known for its tables and case pieces — there are side tables, coffee tables and more created by Bus in the Acclaim collection, each sporting graceful tapered legs and dovetail inlays.

Later, during the 1960s, Lane offered handsome modular wall units created by the likes of Paul McCobb, an award-winning Massachusetts-born designer best known for his work at Directional.

The company was acquired by United Furniture Industries in 2017 and became particularly well-known among contemporary consumers for its upholstered furniture. In 2022 United abruptly closed and ceased operations at Lane.

Vintage Lane furniture is generally characterized by relatively neutral styles, which are versatile in different kinds of interiors, as well as good quality woods and careful manufacturing. All of these attributes have made Lane one of the most recognizable names in American furniture.

Browse storage cabinets, side tables and other vintage Lane furniture on 1stDibs.

$1,240 / set

20th Century American Mid-Century Modern Barware

Materials

Chrome

Milo Baughman Decor Burl Walnut & Chrome Mid-Century Modern Liquor Serving Bar

$7,500

Midcentury Cubic Chromed Steel, Wood and Glass Dry Bar, Italy 1970s

By Willy Rizzo

Located in Roma, IT

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

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