19th Century Victorian Burr Walnut Serpentine Credenza

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19th Century Victorian Burr Walnut Serpentine Credenza

About the Item

This is a superb antique Victorian burr walnut and marquetry credenza, circa 1860 in date. Oozing sophistication and charm, this credenza is the absolute epitome of Victorian high society. The entire piece highlights the unique and truly exceptional pattern of the burr walnut grain extremely well. This credenza is serpentine in shape with elegant serpentine glazed doors on either side and a panelled door in the centre, which opens to reveal a cupboard with plenty of room to house your drinks, glasses, crockery, etc. It has elegant kingwood crossbanding, a beautiful and intricate carved oval panel with superb floral marquetry on ebonised ground on the central door and fabulous ramshead ormolu mounts. Its attention to detail and lavish decoration are certain to draw the eye wherever you choose to place it in your home. Condition: In excellent condition having been cleaned and polished in our workshops, please see photos for confirmation. Dimensions in cm: Height 108 x width 208 x depth 53. Dimensions in inches: Height 3 feet, 6 inches x width 6 feet, 10 inches x depth 1 foot, 9 inches. Burr Walnut refers to the swirling figure present in nearly all walnut when cut and polished, and especially in the wood taken from the base of the tree where it joins the roots. However the true burr is a rare growth on the tree where hundreds of tiny branches have started to grow. Burr walnut produces some of the most complex and beautiful figuring you can find. Kingwood is a classic furniture wood, almost exclusively used for inlays on very fine furniture. Occasionally it is used in the solid for small items and turned work, including parts of billiard cues, e.g., those made by John Parris. It is brownish-purple with many fine darker stripes and occasional irregular swirls. Occasionally it contains pale streaks of a similar colour to sapwood. The wood is very dense and hard and can be brought to a spectacular finish. it turns well but due to its density and hardness can be difficult to work with hand tools. It also has a tendency to blunt the tools due to its abrasive properties. Ormolu (from French 'or moulu', signifying ground or pounded gold) is an 18th-century English term for applying finely ground, high-carat gold in a mercury amalgam to an object of bronze.The mercury is driven off in a kiln leaving behind a gold-coloured veneer known as 'gilt bronze'. The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of nitrate of mercury is applied to a piece of copper, brass, or bronze, followed by the application of an amalgam of gold and mercury. The item was then exposed to extreme heat until the mercury burned off and the gold remained, adhered to the metal object. No true ormolu was produced in France after circa 1830 because legislation had outlawed the use of mercury. Therefore, other techniques were used instead but nothing surpasses the original mercury-firing ormolu method for sheer beauty and richness of colour. Electroplating is the most common modern technique. Ormolu techniques are essentially the same as those used on silver, to produce silver-gilt (also known as vermeil). Marquetry is decorative artistry where pieces of material (such as wood, mother of pearl, pewter, brass silver or shell) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique. Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing shell and brass with pewter in arabesque or intricately foliate designs.

Dimensions:
Height: 42.52 in (108 cm)Width: 81.89 in (208 cm)Depth: 20.87 in (53 cm)
Style:
Victorian (Of the Period)
Materials and Techniques:
Walnut,Marquetry
Place of Origin:
England
Period:
1860-1869
Date of Manufacture:
circa 1860
Condition:
Seller Location:
London, GB
Reference Number:
Seller: 077771stDibs: LU95065865133