1850s Belgian Rocaille Bleached Oak Vitrine

Explore the refined beauty of this 1850s French Bleached Oak Vitrine, an exquisite blend of elegance and country simplicity. Crafted in Fra...

A wooden vitrine from 1910s Belgium with an evocative patina. A tall, slender cabinet, fronted by a paned glass door, sits atop a low cupboard. The ori...

Magnificent and ornate, this antique oak vitrine cuts an impressive figure. Built in Belgium in the 1860s, the design is inspired by the elaborate furniture of the Renaissance. Beaut...

A wooden vitrine from 19th century Belgium. Fit with two upper display cabinets and two lower storage compartments, drawers slide in between, this vitrine boasts elegant design and i...

The silhouette of this antique oak vitrine evokes the lavish beauty of the Baroque. Built in the Netherlands circa 1800, serpentine drawers are crowned by an arched cabinet...

Step into the elegance of the 1840s with the German Bleached Oak Vitrine, a timeless showcase of craftsmanship. Below, three solid cabinet doors discreetly house treasures, flanked b...

19th C Dutch bleached oak vitrine with painted interior. There are six doors in total, including faux drawer doors in the bottom section. 1890. ...

This beautiful breakfront vitrine showcases multiple shelves for displaying your favorite items. A locking glass door, which opens to a single shelf...

This is an antique display cabinet. An English, Victorian, flame mahogany vitrine dating to the mid-19th century, circa 1850. Magnificent Vic...

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

A French 19th-20th century Baroque Revival carved oak Bombé figural vitrine. The single front-door display cabinet with bowed front and side beveled glass panels, with two interior g...

A beautiful fully original Antique Flemish Vitrine from the Flanders, Bleached Oak with original Glass, nice painted interior, ideal to place in your kitchen or dining room.