19C Louis XV Style Boudoir Display Vitrine

Stunning 19th century French Empire, neoclassical/Rococo Revival style Marquetry vitrine or display cabinet, of large proportions!! A real statement piece! Made of a fabulous variety of veneers, including kingwood, satinwood, tulipwood, harewood and walnut with quality classical ormolu mounts. It has ebonized pillars in the Empire style, with walnut and exotic hardwood friezes in the Rococo style. Double glass doors to middle section and single glass doors on either side. The glass on the doors are framed in ormolu banding. Floral Marquetry panels on front and parquetry on the sides. The front central section is a pullout / pull-out drawers with gorgeous walnut frieze panel and original carved walnut knobs. Scrolling pelmet on the top in 3 sections banded in ormolu beading. Scrolling base with cabriolet feet and ormolu mounts on base. Various ormolu mounts, floral mounts, mounts of Baachus and mounts of neoclassical female figures. In 3 sections. with 2 side cabinets and large central section with 3 section pelmet, stunning piece!!! The quality ormolu mounts are marked with the letter “R” and what appears to be “FR 678”. We were originally of the belief that this piece might have been made at the very end of the 19th century, but having regard to the quality of workmanship throughout this piece we are of the opinion that it was most likely made in the third quarter of the 19th century, circa 1870 and by an obviously top quality Parisienne maker with a surname beginning with “R”. It is definitely in the style of David Roentgen who was known for his Rococo/neoclassical styles. David Roentgen, (born Aug. 11, 1743-died Feb. 12, 1807, Wiesbaden, Duchy of Nassau), cabinetmaker to Queen Marie-Antoinette of France; under his direction the family workshop at Neuwied (near Cologne), founded by his father, Abraham Roentgen, became perhaps the most-successful firm of furniture production in the 18th century. After succeeding his father as head of the Neuwied workshop in 1772, Roentgen strove to broaden their clientele, an ambition that brought him first to Hamburg and ultimately to Paris (1774), where in 1779 he was spectacularly successful in selling his finest furniture to King Louis XVI of France for £3,300 to £4,000, an unprecedented sum for the time. Appointed cabinetmaker to the queen, Roentgen was granted admission (1780) as maître-ébéniste (master cabinetmaker) to the trade corporation of Paris cabinetmakers, making it possible for him to keep in Paris a stock of the furniture manufactured at Neuwied. Thus he was able to compete with such great cabinetmakers as Jean-Henri Riesener and Adam Weisweiler, reputedly his former pupil at Neuwied. After his first visit to St. Petersburg, Empress Catherine II the Great bought huge quantities of his furniture; King Frederick William II of Prussia was also his client. When in 1795 the French Revolutionary armies threatened to cross the Rhine, Roentgen evacuated his establishment and moved his stock farther inland. Unfortunately, he lost everything in his Parisian salon and in his Neuwied workshop, both of which were sacked by Republican troops. He was crushed, despite his appointment as court furnisher to the king of Prussia. Although he never succeeded in starting production again, former apprentices of his whom he helped to establish in the German cities of Berlin (David Hacker...

PRESENTING a STUNNING 19C Large Irish Georgian Style Secretary Bookcase. From circa 1850-60 and most definitely, “IRISH”. Made of gorgeous flamed Cuban mahogany which would have been imported from the British Colonies at the end of the 18th Century and early 19th Century. This piece of is of IMPRESSIVE PROPORTIONS. It is a real STATEMENT piece and of EXTREMELY HIGH QUALITY. It has a very ‘Regency Style’ pelmet or crown with egg and dart moldings under a very straight line crown. The top section consists of a 4 door bookcase, each with 3 shelving areas. It appears to retain it’s original glass, but it could likewise have been replaced at some time during it’s long life, as it is very rare to find pieces that have not suffered breakages over 150+ years. Each bookcase door still retains the original moldings to the front with a star shape above and below a central circular viewing panel. Each section is separated by a carved and fluted roman column/pillar. The bookcase section rests on top of the base, which consists of a beautiful central secretaire desk accessed by drop down front with working lock and key and rests on 2 pull out rests on either side. The secretary portion has a central tabernacle, with an inlaid oval satinwood medallion above another scallop shell drawer. It has 6 smaller drawers and 8 cubbies. The 2 pillars on either side of the central tabernacle are secret drawers and pull out. The curved crowns above the cubbies on either side are likewise secret drawers and pull out. Either side of the secretary there are 2 drawers (4 total) with a press or cupboard underneath. Under the secretary there are 4 large central drawers. The brasses and hardware are all original to the piece (save 2 extra hinges that have been attached to the drop down secretary to give it more support and stability. Again, each section is separated by a turned and fluted column/pillar which replicates the 2 side pillars to the central tabernacle of the secretary. The piece sits on 8 curved feet. This was an extremely high quality piece when made. This is also supported by the fact that the secondary woods are also mahogany and not pine or oak for slightly lesser quality pieces of the era. This piece is specifically identifiable as an Irish Georgian Style piece by virtue of the scallop shell moldings on the base side presses (see photos). Irish Georgian furniture...

Unique Louis XVI style display cabinet, built around 1890, this demilune cocktail cabinet with an elegant curved legs and top display cabinet was made of different woods and richly d...

A good quality 19th century French marquetry inlaid vitrine, having gilded ormolu mounts, shaped glass to the sides and doors, glass shelves within and raised on elegant out swept le...