Large Imposing Louis XVI Style Vitrine, circa 1880

A good quality pair of French Louis XVI style break fronted, Rococo style ormolu mounted vitrines, each with adjustable shelves, three glazed doors to each, with storage behind the b...

A very imposing late 19th Century French Louis XVI style bombe fronted glass Vitrine, having gilded ormolu scrolling foliate mounts, hand painted panels to the sides and door depicti...

A fine quality French 19th century Kingwood vitrine, having ormolu swags and drapes. parquetry inlaid panel to the door and adjustable glass shelves.

A fine quality late 19th Century French Kingwood bow fronted glazed Louis XIV style vitrine, in the manner of Francoise Linke. Having wonderful gilded ormolu mounts, moulds and swag ...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

A French Louis XVI style Ormolu-Mounted Mahogany Vitrine Table, C. 1880, attributed to Paul Sormani.   Very good quality, nice ormolu mounts throughout, presents very well.   Measure...

Antique French Louis XVI gold leaf vitrine, circa 1880.

It is difficult to sufficiently describe the quality and workmanship of this vitrine; the photos show more than any words can relate. The mounts are to the standard of the great Linke and may prove to be from his own workshop. Those which flank the door are busts of children...