Pair Of Louis XVI Style Vitrine Cabinets-On-Stands, Attributed to Henry Dasson

A Large and Rare Louis XVI Style Gilt-Bronze Mounted Mahogany Vitrine Cabinet, By François Linke. Paris. The pediment frieze with flower-filled entrelac gilt-bronze mounts. The cent...

A very fine Louis XVI style gilt bronze mounted mahogany side cabinet with a Brèche Violette marble top, by Henry Dasson. Stamped to the top of the carcass ‘Henry Dasson’. Thi...

An impressive pair of Louis XVI style gilt bronze mounted mahogany vitrines by François Linke. French, circa 1890. Signed to the reverse of the bronze mounts ‘LINKE’. Each ...

An important pair of Louis XVI style gilt-bronze mounted vitrines with wedgwood Jasperware plaques, by Joseph-Emmanuel Zwiener. French, circa 1880. Stamped 'NZ', 'NZ.309' and 'ZJ' to the reverse of the bronze mounts. Signed to the reverse of the lockplate 'Mon THEAU THIEFFINE Succ./SERRURIER PARIS'. This rare pair of vitrines, each have a shaped Carrera marble top above a frieze centred by a round classical Jasperware plaque flanked by gilt-bronze putti figures and scrolling acanthus running pattern. Below is a gilt-bronze framed bevelled glass door above a panel centred by a finely modelled Jasperware plaque of a putto representing the seasons. The door is flanked to either side by gilt-bronze monnaie pattern and headed by a pair of exceptionally fine female canephor figures. The shaped sides have corresponding bevelled glass panels and the vitrine is raised on tapering fluted legs. The distinctive canephor figures, finely cast as female caryatids with ringlets in their hair and supporting baskets of fruit upon their heads, is a distinctive and celebrated model unique to Zwiener. Many of Zwieners bronzes are executed in the Louis XV style, with flowers and scrolling acanthus leaves and an emphasis on asymmetry, typical of the work of his bronze sculptor Léon Messagé. The mounts employed on this rare pair of vitrines however sees Zwiener creating his own up-to-date reinterpretation of the Louis XVI style, drawing inspiration from established Louis XVI models such as those designed by Weisweiler for Marie-Antoinette's Dressing table. [See Mestdagh, p.305]. A second distinctive feature of the vitrines is the finely modelled Wedgwood Jasperware plaques incorporated in the frieze of each vitrine and beneath the doors. Wedgwood exhibited at nearly all of the Universal Exhibitions held in 19th century France, displaying amongst other pieces, plaques specifically intended to be mounted on to furniture. The first vitrine displays to the frieze a finely modelled plaque in the classical style, depicting a group of putti at play, one being pushed on a swing, while another plays a trumpet and a small attentive dog watches from below. Beneath the glass panelled door a larger Jasperware plaque is incorporated depicting a putto figure with a garland of flowers, emblematic of spring. The second vitrine has a classical plaque...

Henry DASSON (1825-1896) A Vitrine Acajou with patinated bronze upper section, signed and dated Henry Dasson & Cie, 1889 to the right-hand side molded border, the carcasses stamped ...

A fine quality French 19th century Kingwood vitrine, having ormolu swags and drapes. parquetry inlaid panel to the door and adjustable glass shelves.

This is a Louis XVI style large rectangular shaped gilt wood vitrine/curio cabinet. It has a front door with a glass that closes with a key. The curio cabine...

This is a monumental and stunning kingwood and walnut vitrine with incredible quality bronze and a gorgeous slab of coral hued marble on top. The cabinet has all of the hallmarks of ...