1860s French Oak Armoire

An antique bleached oak cabinet from France, produced circa 1800. A grand wardrobe standing well over seven feet tall, featuring locking d...

This French oak armoire, made circa 1860, imparts the distinguished air of classical antiquity. The cabinet adopts an upright shape accentuated by the mitered corners of the molded c...

This bleached oak armoire was produced in Belgium, circa 1820. A sturdy case sports three shelves standing on solid bracket feet and cornice base,...

Elegant lines and a wealth of charming details gives this antique cabinet a perennial freshness. Made in France in the 1780s, the wood has retained its original finish — a rich aubur...

This Belgian armoire, crafted circa 1850, boasts a noble pale oak finish that enhances its stately presence. Tall and ample, the chest provides a pleth...

A white wooden cabinet from France, circa 1900. This handcrafted armoire stands on turned feet, guarded by a golden-brass lock. A refreshing space maker and a stylish storage. Adorne...

This wedding armoire is hand carved with detailing that reflects symbols of wealth and prosperity. Traditionally the armoire was hand built and carved ...

Limed oak two door armoire. Height 210 cm. Width 127 cm. Depth 64 cm.

Carved oak wedding armoire with two doves under leaves and grapes on crown piece and two-panelled doors carved with grapes and birds on oval medallion. Each door is topped by large l...

 Attractive carvings of vines, leaves and flowers embellish this armoire giving it a romantic touch. Crafted in the late 18th century France, this oak armoire has beautifully carved ...

19th century Country French oak Bonnetiere ~ Armoire features tailored, neoclassical architecture rendered from heavy planks and timbers of old g...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...